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FRANZ ROMERO De Sede ds57 Bugatti
About the Item
The Bugatti type 57, an icon of Art Deco design, inspired Franz Romero when he designed the DS-57 armchair for De Sede. The designer not only managed to incorporate the characteristic seating comfort of Bugatti car seats; he also accomplished a visually perfect embodiment of the car in armchair form. The chair is thus designed to reflect the characteristic, streamlined contours of the Classic car; naturally, you sit very low in it, as you would in a sports car, for seating comfort underscored even further by cushions that are inclined backwards. The armchair shape also takes on the contours of the fender, with voluminous armrests that extend to the floor: true to detail, they point downwards, as in the real Bugatti 57. The one-off piece in a perfect, streamlined form. The aerodynamic structures of DS-57 are uniquely delicate. The armchair is impressive for its striking runners and soft seating comfort. The steep seat gradient is achieved by means of a wedge-like base structure, sprayed with impact-resistant, high-gloss lacquer; in glazed solid oak or made of aluminum. Also available with integrated, height-adjustable headrest.
- Creator:Frank Romero (Designer)
- Dimensions:Height: 68 in (172.72 cm)Width: 85 in (215.9 cm)Depth: 92 in (233.68 cm)
- Style:Mid-Century Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:2000
- Condition:Minor structural damages. Minor fading.
- Seller Location:Grenoble, FR
- Reference Number:1stDibs: LU3821139566202
Frank Romero
Throughout his 40 year career as an artist, Frank Romero has been a dedicated member of the Los Angeles arts community. As a member of the 1970s Chicano art collective, Los Four, Romero and fellow artists Carlos Almaraz, Beto de la Rocha and Gilbert Lujan, helped to define and promote the new awareness of La Raza through murals, publications and exhibitions. Los Four's historic 1974 exhibition at the Los Angeles County Museum of Art was the country's first show of Chicano art at a major art institution. Since then, Romero has successfully balanced a career in both the public and private arenas. He has completed More than 15 murals throughout Los Angeles, and was a key contributor to the 1984 Olympic Arts Festival with “Going to the Olympics,” a large scale mural which adorns one of Los Angeles’ busiest freeways (Highway 101). Romero has exhibited extensively in the United States, Europe and Japan. His work is featured in many permanent collections, including the National Museum of Art in Washington D.C., the Los Angeles County Museum of Art, and the Carnegie Museum in Oxnard, CA.
About the Seller
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