Jean Pascaud, Armchair, France, 1946

Stamped: Groupe des ébénistes d’art Paris A well-proportioned piece by the Deco great Jean Pascaud, this mahogany table features a lovely round top and subtly curved legs which te...

Art Deco drop front secretary in the manner of Jean Pascaud. Made in France, circa 1935. Sycamore with a giltwood base, mahogany interior...

Pair of Art Deco side tables in the manner of Jean Pascaud. Blond mahogany, oak marquetry, bronze sabots, France, circa 1950.

This pair of glazed earthenware sconces is a marvelous example of the work of the unique Russian-born sculptor and designer Vadim Androusov, who studied in France as Art Deco reached...

These exceptional Louis Cane chair unites a traditional aesthetic with a more contemporary feel. Its modern, cube-like base and perforated back is complemen...

Single walnut armchair by Jules Leleu An identical chair was shown at the Leleu exhibition, Chefs d’oeuvre de l’Afrique noire, in Leleu’s showroom on the Avenue Franklin-Roosevelt, ...

French mid-century light mahogany armchair with gilt bronze sabot feet and armrest supported by gilt bronze eagles with brown upholstery. Signed by Vadim Androusov for Jean Pascaud (ref: Les Decorateurs des annee 40, pg 172). Jean Pascaud was born in Rouen in 1903. He took a degree in engineering from the Ecole Centrale des Arts et Manufactures, but his passion for furniture and décor, and the influence of his father in law, Auguste Bluysen, (then President of the Société des Architectes Modernes), led Pascaud to abandon a more traditional career and take up furniture design instead. By the late 1920s Pascaud regularly at the Salon des Tuileries, at the Salon d'Automne, the Salon des Artistes Décorateurs, and the Arts Ménagers. His work is simple, yet technically ambitious and brilliant; his pieces are impressively large, but aesthetically balanced. Vadim Androusov was born in St. Petersburg in 1895. He was a grandson of the archeologist Schliemann. He arrived in Paris in 1920 and took classes at La Grande Chaumière academy; Bourdelle was one of his professors. His first sculptures date from 1925 and depict female figures and characters drawn from classical antiquity. He rarely used bronze, preferring terracotta, plaster, wood, and stone. He showed his creations at the Salon des Tuileries and the Salon des Indépendants. While a sculptor, he also collaborated with interior decorators and created wall-mounted light fixtures, furniture pulls...

Pair of Rosewood armchairs covered in caramel colored Leather and Silver plated sabots designed by the French Architect and designer Jean Pascaud. Made in France Circa: 1935.

An original pair of late 1940s-early 1950s armchairs by: Jean Pascaud. Please note: See pictures 9 and 10 documentation provided by Docantic. Need new upholstery see detail pictures.

Pair of Mid-Century Jean Pascaud ( 1903 - 1996 ) armchairs. Mid 20th century. France.

French mid-century dark mahogany settee with gilt bronze sabot feet and armrest supported by gilt bronze eagles with brown upholstery. Signed Jean Pascaud, by Vadim Androusov (ref: Les Decorateurs des annee 40, pg 172). Jean Pascaud was born in Rouen in 1903. He took a degree in engineering from the Ecole Centrale des Arts et Manufactures, but his passion for furniture and décor, and the influence of his father in law, Auguste Bluysen, (then President of the Société des Architectes Modernes), led Pascaud to abandon a more traditional career and take up furniture design instead. By the late 1920s Pascaud regularly at the Salon des Tuileries, at the Salon d'Automne, the Salon des Artistes Décorateurs, and the Arts Ménagers.  His work is simple, yet technically ambitious and brilliant; his pieces are impressively large, but aesthetically balanced. Vadim Androusov was born in St. Petersburg in 1895. He was a grandson of the archeologist Schliemann. He arrived in Paris in 1920 and took classes at La Grande Chaumière academy; Bourdelle was one of his professors. His first sculptures date from 1925 and depict female figures and characters drawn from classical antiquity. He rarely used bronze, preferring terracotta, plaster, wood, and stone. He showed his creations at the Salon des Tuileries and the Salon des Indépendants. While a sculptor, he also collaborated with interior decorators and created wall-mounted light fixtures, furniture pulls...

Set of 10 French 1940s mahogany chairs with grey upholstery on tapering square legs with ormolu sabot. 2 arms and 8 sides/arm: 23¼"w x 22"d x 33½"h) (att: JEAN PASCAUD)