Ash Armchairs

Art Deco Period cherrywood armchair by André Arbus.

Elegant pair of carved walnut chairs with sweeping lines and delicate arm details, presented in their original condition. Refinishing & COM upholstery available upon request.

Pair of ebonized open armchairs French Directoire style in the manner of Andre Arbus. Upholstered back and seat cushion. Measure: Seat height 17.5".

19th century painted Italian armchairs in Neoclassical style having gilt detail, a rounded back, upholstered seat and curvaceous arms.

Chic Art Deco 1940s desk chair in blond walnut with original dark green upholstery.

We are delighted to offer this lovely pair of antique Georgian circa 1760 carver armchairs A very good looking and well made pair, these are a his and hers pair so ever so slightl...

Pair of armchairs designed by Andre Arbus (1903-1996). Oak wood with silver colored patina and leather upholstery. France, circa 1940.

Pair of unusual form midcentury Hollywood Regency hand carved left and right opposing side chairs/armchairs. Upholstered in a wonderful gold and brown fabric.

Grand Pair of 18th Century Italian Neoclassical Paint Decorated Armchairs. These gracefully designed chairs are supported by two tapered square back legs and two carved rosettes abov...

A pair of neoclassical carved walnut fauteuils with carved lyre shape backsplat, sitting on carved and fluted legs. Recently re-upholstered, Northern Italy, 18th century.

We are delighted to offer for sale this lovely pair of Anglo Chinese hand carved Savonarola type armchairs with Dragon heads A very good looking a...

French Forties Art Deco pair of large-scale armchairs in the style of Andre Arbus. 26” wide x 30” deep x 37” high. Andre Arbus (1903-1969) French Art Deco Architect and Designer, ANDRE ARBUS, was born in Toulouse, France and was a third-generation cabinetmaker. Arbus became active in the Salons of the Societe des Artistes Decorateurs and the Salon d’Automne in Paris in 1925 at the young age of 22. His work included commissions for the 1922 oceanliner Bretagne, the 1927 La Provence and Ile-de-France as well as the 1961 France. He often used rare and exotic materials in his refined designs. These were elegant and pure and often gave the appearance of fragility – as in his neo-classical presentation at the Paris International Exposition of 1937. He compared the joints in his furniture to the joints of the human hand. His commissions also included private townhouses as well as Le Mobilier National for which he designed a desk for U.S. Ambassador W. H. Harriman, and the post World War II Medici Room of the Chateau de Rambouillet.