Leather Armchairs

Eames Aluminum Group for Herman Miller Task Chair, Zeeland, Michigan, c. 1965, aluminum, leather, Herman Miller manufacturer's label, ht. 30, wd. 23...

Mid-Century Lounge Chair and Ottoman by Charles & Ray Eames for Herman Miller for ICF

Leather chair with aluminum base and wheels. Stamped Herman Miller under the seat. The chair turns on itself and reclines. Seat height: 53 cm. Wear due to time and age.

Mid 20th Century Herman Miller Group Management Aluminum Lounge Chair - Designed by Charles Eames. 5 Prong Base - Leather Upholstery.

A Dax rope edge fiberglass Zenith shell chair designed by Charles & Ray Eames for Herman Miller Co. with aluminum-finished legs retaining the original red leather upholstery over a f...

Eames Herman Miller EA108 Swivel Chairs, Aluminum Group, Leather Offered for sale is a pair of Herman Miller Charles and Ray Eames Aluminum Gro...

Black leather chair with aluminium base and wheels. Swivels on itself and is height-adjustable. Minimum seat height 47 cm, maximum seat height 54 cm. Maximum total height of the chai...

A Dax rope edge fiberglass Zenith shell chair designed by Charles & Ray Eames for Herman Miller Co. with aluminum-finished legs retaining the original green leather upholstery over a...

The Charles Eames Lounge Chair in brown leather and light walnut, produced by Herman Miller. Designed in 1958 and brought to life in 2007, this iconic piece of furniture represents t...

We are delighted to offer for sale extremely rare and important lightly restored, original, Herman Miller No1 1960's black leather and Rosewood lounge armchair and ottoman This is...

The fully upholstered DAX chair is part of the Eames plastic armchairs collection, first presented as part of a New York Moma competition. An iconic piece o...

We are delighted to offer extremely rare and important pair of fully restored, original, Herman Miller No1 & Herman Miller Hillie circa 1958-1960 black leather and Rosewood lounge armchairs and ottomans These are pretty much the most iconic and well known armchair and ottoman ever made, exhibited countless times, displayed in the V&A, Metropolitan Museum of Art, winners of countless awards these are the simply put the finest suite around They have been on a journey, I’ve had all pieces stripped to the bare shells, the frames have been washed back and traditionally French polished, the leather all restored and hand dyed the original nero black, they are the finest example pair anywhere in the world today One suite has the black Herman Miller No1 label, the other, the earlier redish Herman Miller Hillie label Condition wise, the restoration has been done in such a way to keep all the original charm and patina but make them gallery ready, they will have age and use related patina marks here and there but mostly they are in very fine order Dimensions armchairs Height:- 80.5cm Width:- 85cm Depth:- 86.5cm Seat height:- 41cm Dimensions ottomans Height:- 42cm Width:- 65.5cm Depth:- 53.5cm Please note all measurements are taken at the widest point, MUST READ! The Eames Lounge Chair and ottoman are furnishings made of molded plywood and leather, designed by Charles and Ray Eames for the Herman Miller furniture company. They are officially titled Eames Lounge ( 670 ) and Ottoman ( 671 ) and were released in 1956 after years of development by designers. It was the first chair that the Eameses designed for a high-end market. Examples of these furnishings are part of the permanent collection of New York's Museum of Modern Art. Design Charles and Ray Eames sought to develop furniture that could be mass-produced and affordable, with the exception of the Eames Lounge Chair. This luxury item was inspired by the traditional English club chair. The Eames Lounge Chair is an icon of Modern style design, although when it was first made, Ray Eames remarked in a letter to Charles that the chair looked "comfortable and un-designy". Charles's vision was for a chair with "the warm, receptive look of a well-used first baseman's mitt." The chair is composed of three curved plywood shells covered with veneer: the headrest, the backrest and the seat. The layers are glued together and shaped under heat and pressure. The shells and the seat cushions are essentially of the same shape, and composed of two curved forms interlocking to form a solid mass. The chair back and headrest are identical in proportion, as are the seat and the ottoman. The products have changed in various ways over time. Beginning in 1956 and running through the very early 1990s, the shells were made up of five thin layers of plywood which were covered by a veneer of Brazilian rosewood. The use of Brazilian rosewood was discontinued in the early 1990s, and current production since then consists of seven layers of plywood covered by finishing veneers of cherry, walnut, palisander rosewood (a sustainably grown wood with similar grain patterns to the original Brazilian versions), and other finishes. Small changes include the sets of spacers between the aluminum spines and the wood panels, originally of rubber, later hard plastic washers, and the number of screws securing the armrests, originally three, changed to two in second-series models, while the "domes of silence" (glides/feet) on the chair base originally had thinner screws attaching them to the aluminum base than those on later chairs, and the zipper around the cushions, either brown or black on early models, was later black only. Further, early ottomans had removable rubber slide-on feet with metal glides, and early labels are of oblong foil. History The Eames Lounge Chair first...

Plastic club chair designed by Raphael Raffel produced in France in the 70s in tulip style with rounded seat, covered with black leather.

Incredible pair of restored and reimagined Charles and Ray Eames for Herman Miller, 1962 Collection, Tandem modular seating that was originally designed for Chicago O'Hare Airport, w...

This item is part of the private collection of Casey Godrie and is situated in his private house. Ask him for competitive shipping quotes. His incredible Dune Villa, Amsterdam Beach...

Set of four armchairs by George Nelson for Herman Miller in black aniline leather. Original Herman Miller circle tag presen...

This rare color-way in beautiful red leather is the Time Life Executive Chair (Model ES-104) by Charles and Ray Eames for Herman Miller, originally designed in 1960 for the Time Life...

Usa modern Armchair and ottoman mod. 670 and 671 by Charles and Ray Eames for Herman Miller, 1970s Iconic and vintage set of armchair and ottoman mod. 670 and 671 with wooden structu...

A classic pair of Aluminum Group office chairs designed by Charles Eames for Herman Miller. They feature cast aluminum frames with black l...

Peter Protzman’s design career began in Michigan where he spent over 10 years with Herman Miller working alongside such design luminaries as Charles and Ray Eames and George Nelson. While there, he designed the award-winning Tubular Collection of furniture which remained in production for 20 years and is still sought-after by fans of Mid-Century Modern design. These vintage chrome tubular chairs...

Ray & Charles Eames were commissioned to design the perfect utilitarian seating for the first international airports in 1962. Created for comfort and convenience, this chair is iconic and has never before been redone with such luxury in mind. Refurbished aluminum frames and reupholstered in world-class, full grain Edelman Leather in a copper brown. For the modern-day eclecticists and discerning collectors, these pieces are heirlooms from the generation of the jet-set elite. Would be a fantastic addition to an office, waiting area, man cave, or living room. This three-seater has matching counterparts - a two-seater and two singles. A set of these luxury tandem sling benches...