Wood Armchairs

Scandinavian look and industrial style for those comfy armchairs: wooden shell, metal structure and black faux-leather cushions (H seat 45cm / H armrests 59cm; new items, never used).

In the modern home, an armchair is no longer just a place to sit and comfortably read your favourite novel, it plays a much larger role in the overall interior aesthetic. Casa Botelh...

Pair of midcentury walnut lounge chairs with sculpted walnut frame and comfortable curved backrest; upholstered in the original black vinyl upholstery. Good condition with minor sign...

In the modern home, an armchair is no longer just a place to sit and comfortably read your favourite novel, it plays a much larger role in the overall interior aesthetic. Casa Botelh...

Pair of black and gold cane back armchairs, Fauteuils attributed Maison Jansen. Each ebonized frame with fine gold decorative high lights. The pair having cushion seats with drapery ...

Midcentury Mauser armchair with original leatherette grey and black.

Pair of Art Deco armchairs Source: Czechia (Czechoslovakia) Period: 1930-1939 Material: Beech, high gloss black lacquer Completaly restored. New upholstery.

The Bacco armchair design is a magnificent fusion of Art Deco inspiration and contemporary style, offering a daring and refined interpretation of the classic boxy chair...

This stunning wooden spindle armchair is most likely of Danish origin. The ebonized armrests show a beautiful patina from age and use. It is fully original and does not show a makers...

Armchair, midcentury Czechoslovakia Architect: Jan Vanek Period: 1930-1939. Material: Beech. Original condition, well preserved.

Rare pair of 'Paper Knife' model 121 lounge chairs in teak and black leather (faux) design by Kai Kristiansen for Magnus Olesen in 1955. Gorgeous organic design style sculpted in s...

Such a handsome chair. Very early corner chair, with a drop-in seat, easy to reupholster. Corner chairs like this one are so good as a desk chair, as it is possible to get right in u...

Pair of English Regency style (20th century) armchairs with black and gilt painted wooden frames with carved detail, cane seat backs, light yellow and gold seat...

Pair of black painted wood armchairs, some scratches on the side, see photo.

Armchair Captain's chair black Swedish 19th century Sweden. An armchair made during the end of 19th century. Painted in our signature Laserow Black.

The GFM armchair is an icon of the polish design of the PRL period. The famous armchair was designed in 1962 by the Polish interior designer and furniture designer Edmund Homa. ...

A pair of George II design profusely carved mahogany library chairs with lion’s head arms, acanthus leaf scrolls and foliate cartouches. The cabriole ...

In the modern home, an armchair is no longer just a place to sit and comfortably read your favorite novel, it plays a much larger role in the overall interior aesthetic. Casa Botelho...

1960's skirted high back chair upholstered in black and silver Ikat fabric. The sculptural chair has a tall shield back with a gorgeous profile. Features button back accents, self-we...

In the modern home, an armchair is no longer just a place to sit and comfortably read your favorite novel, it plays a much larger role in the overall interior aesthetic. Casa Botelho...

The Juli plastic armchair, by Werner Aisslinger, reflects new experimental frontiers. Over the decades, this chair has lent itself to numerous creative and constructive interpretations. For this edition of Juli plastic, the curves of the shell have undergone a slight restyling that maintains all of the original sculptural plasticity, but also provides additional comfort. The plastic shell, available in pure white, graphite black...

A stunning pair of French Louis XV style fauteuils By Baker Furniture USA, circa 1970s Carved silver gilt over gold gilt wood frames, with unique griffin patterned upholster...

Armchairs produced in the 1960s by Radom Furniture Factories. Very comfortable seat covered with high quality fabric. The armchairs are fully carpentry and upholstery. We can prepare...

Pair of armchairs designed by Gigi Radice for Minotti. Made of solid wood structure, reupholstered in cotton pattern fabric model “Short-Cuts” edited by Dedar, and black lacquered me...

Malicious chair is the newest addition to the infamous Malicious family. CNC cut aluminium round edged studs located on the seating part moves down, th...

About Modern Low Armchair Utopia Upholstery in Black Velvet and Silver Utopia 03 Armchair Design by DRAMA exclusively for October Gallery Materials: Silver Leaf, Black Velvet, White...

This polished armchair synthesizes comfort and sophistication. The support frame is in black-finished ash and includes four slightly inclined legs supporting its padded seat and back...

Fine English George III period, circa 1770 carved mahogany armchair in Thomas Chippendale 'Gothick' manner having a serpentine crest-rail carved with acanthus 'ears' and centre folia...

Art Deco cubistic black leather armchair with mahogany arms complexly restored, reupholstered and recovered with leather.

Two pairs of sculpted armchairs by Jacques Jarrige with his signature play on positive and negative space, finished in high quality hand lacquer. Price is per armchair, 4 are availab...

Timeless and elegant, this armchair will be equally at home in a Classic living room, in a modern entryway, or in a contemporary bedroom. Its structure in solid wood with tall backre...

Easy chair upholstered with black leather and legs of rosewood designed by Chr. Linneberg from the 1960s.The chair is in great vintage condition.   

"Multi-layered, curved, wood frame available in veneered rosewood or mat lacquered. New finishing 2010 outer covering in stainless steel. Padding in shape retaining polyurethane with...

A brand-new addition to the Atena collection, is the Atena ottoman. While donning the same curvaceous features and organic textures, the Atena ottoman pairs perfectly with all the At...

This chair is part of the private collection of Casey Godrie and is situated in his private house. Ask him for competitive shipping quotes. His incredible Dune Villa, Amsterdam Beac...

Thonet Armchair Catalog Number 1798 The surface is already walnut stained and shellack polished. The cover will be made on customer request and is already in price included. More...

Sculptural pair of Edward Wormley chairs for Dunbar. Walnut frames have been newly refinished in deep chocolate and vintage grey leather is in excellent condition. Great shape and co...

Sicis is delighted to welcome you at ‘Home’. The classically inspired extent in contemporary plays an eclectic style, elegant and refined. Interiors express personality. A constant...

Beautiful set of five black lacquered armchairs with new gray leatherette and new foam, manufactured in 1960s. Very comfortable and very origina...

A super-comfortable armchairs, made in the 1960s in Poland. The armchairs made of bentwood was produced in Radomsko. Very comfortable and beautiful. Perfect for Minimalist interiors....

De Sede model DS 14 leather armchair Black aniline leather. The legs were made of black lacquered wood.   .

Armchair classical black with structure in solid blackened tinted wood. Upholstered and covered with black velvet high quality fabric. Also available with structure in solid wood ...

Armchair black cannage with structure in solid vintage patinated wood. With natural cannage in vintage finish. Upholstered and covered with natural black leather in vintage finish....

A very fine pair of palatial Venetian walnut carved mid-19th century Baroque figural throne armchairs, attributed to Valentino Panciera Besarel (Venice, 1829-1902) in the manner of Andrea Brustolon (1662-1732). The ornately carved thrones, each flanked with figures of standing males supporting a branch-carved armrests with vines. Raised on cabriolet scrolled legs. Provenance: The Castello di Giove in Umbria, Italy, circa 1870-1880. Height: 54 1/4 inches (137.8 cm.) Width: 37 1/4 inches (94.6 cm.) Depth: 32 inches (81.3 cm.) Andrea Brustolon (20 July 1662 – 25 October 1732) was an Italian sculptor in wood. He is known for his furnishings in the Baroque style and devotional sculptures. Biography He was trained in a vigorous local tradition of sculpture in his native Belluno, in the Venetian terraferma, and in the studio of the Genoese sculptor Filippo Parodi, who was carrying out commissions at Padua and at Venice (1677). He spent the years 1678-80 at Rome, where the High Baroque sculpture of Bernini and his contemporaries polished his style. Apart from that, the first phase of Brustolon's working career was spent in Venice, 1680–1685. Brustolon is documented at several Venetian churches where he executed decorative carving in such profusion that he must have quickly assembled a large studio of assistants. As with his contemporary in London, Grinling Gibbons almost all the high quality robust Baroque carving in Venice has been attributed to Brustolon at one time or another. In the Venetian Ghetto, at the Scola Levantina, Brustolon provided the woodwork for the synagogue on the piano nobile, where the carved, canopied bimah is supported on Solomonic columns, which Brustolon had seen in Bernini's baldacchino in the Basilica of St Peter's. His furniture included armchairs with figural sculptures that take the place of front legs and armrest supports, inspired by his experience of Bernini's Cathedra Petri. The gueridon, a tall stand for a candelabrum, offered Brustolon unhampered possibilities for variations of the idea of a caryatid or atlas: the familiar Baroque painted and ebonized figural gueridons, endlessly reproduced since the eighteenth century, found their models in Brustolon's work. His secular commissions from Pietro Venier, of the Venier di San Vio family (a suite of forty sculptural pieces that can be seen in the Sala di Brustolon of the Ca' Rezzonico, Venice), from the Pisani of Strà, and from the Correr di San Simeone families encourage the attribution to him of some extravagantly rich undocumented moveable furniture. Andrea Brustolon's elaborate carved furniture aspired towards the condition of sculpture, such as the Dutch bases for console tables which look like enlargements of the work of the two Van Vianens, Paulus and Adam, perhaps the greatest Dutch silversmiths of the period. These carved pieces display the baroque tendency to develop a form three-dimensionally in space. Brustolon's walnut, boxwood and ebony pieces transcend ordinary functional limitations of furniture; they are constructed of elaborately carved figures. The framework of Brustolon's chairs, side tables and gueridons were carved as gnarled tree branches, with further supports of putti and male figures carved in ebony. Backrests of the chairs, which were never touched in the rigidly upright posture that contemporary etiquette demanded, were carved with allegories of vanity, fire and music, etc. The most extravagant piece delivered for Pietro Venier was a large side table and vase-stand of box and ebony, designed as a single ensemble to display rare imported Japanese porcelain vases. The eclectic allegories include Hercules with the Hydra and Cerberus, males and reclining river-gods (see ref.). For the Correr, less extrovert chairs bear female nudes extended along the armrests. For the Pisani, he carved a suite of twelve chairs (now at the Palazzo Quirinale) with flowers, fruit, leaves and branches to symbolize the twelve months of the year. Work by Brustolon is at the Villa Pisani at Stra. In 1685 Brustolon returned to the house where he was born at Belluno, and from that time devoted himself mainly to tabernacles and devotional sculptures in walnut, boxwood or ivory. His polychromed ivory Corpus from a crucifix is in the Museo Civico di Belluno, which preserves some of Brustolon's preparatory drawings for frames to be carved with putti displaying emblems. A pair of boxwood sculptures, The Sacrifice of Abraham and Jacob Wrestling with the Angel...

Beautiful armchair model GFM-142, designed by Edmund Homa. The armchair was made in the 1960s in the Gosciecinska Furniture Factory. Frame is made from solid beech wood. The GFM-142 ...

This unique pair of teak and vinyl reclining lounge chairs feature unique back adjustment, wonderful tufted design, and sturdy construction. Fantastic m...

KAARE KLINT AND RUD RASMUSSEN SNEDKERIER - SCANDINAVIAN MODERN A rare Kaare Klint armchair with profiled legs in dark stained oak, brass nailheads, original patinated niger leather...

Sicis is delighted to welcome you at ‘Home’. The classically inspired extent in contemporary plays an eclectic style, elegant and refined. Interiors express personality. A constant...

A pair of fine French Art Deco upholstered walnut visitor / lounge armchairs by Leleu.

In the modern home, an armchair is no longer just a place to sit and comfortably read your favourite novel, it plays a much larger role in the overall interior aesthetic. Casa Botelh...

Pair of armchairs black lacquered wood legs - new upholstery, Italy, 1950s.

Pair of English Regency black lacquered arm chairs with a carved spiral ringed bulbous crest, flanking filigree splat backs, sweeping carved scrolled arms, cane hole seats, and termi...

In the modern home, an armchair is no longer just a place to sit and comfortably read your favourite novel, it plays a much larger role in the overall interior aesthetic. Casa Botelh...

Truly unique convertible English high chair. Chair with cross stretcher wing-bolted to a companion table on four legs. The foot rest can be adjusted...

An important sabre legged, acanthus carve mahogany library armchair, of generous proportions. In the Regency manner. Upholstered in clients own material....

The famed Rose chair's legacy began in the Song dynasty when they were wider and shorter. Ming dynasty revolutionized the ancient chairs by elevating and st...

Four English oak ladder back armchairs or two pairs. Lovely deep rich color. Very comfortable. Rush seat in very sturdy good condition. Priced per chair.

A pair of Thomas Chippendale carved mahogany dining chairs with eagle carved arms and top rail on claw feet. Designed originally for the Iris...