Nanna Ditzel Lounge Chair
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Nanna Ditzel Lounge Chair
About the Item
- Creator:Selig (Manufacturer),Nanna Ditzel (Designer)
- Dimensions:Height: 28 in (71.12 cm)Width: 26 in (66.04 cm)Depth: 29.5 in (74.93 cm)Seat Height: 15 in (38.1 cm)
- Style:Mid-Century Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1955
- Condition:
- Seller Location:Costa Mesa, CA
- Reference Number:1stDibs: LU138422480832
Nanna Ditzel
Nanna Ditzel was the most versatile and creative female designer that Denmark produced in the 20th century. Ditzel brought her talents to bear on a staggering array of forms — she designed furniture, jewelry, tableware and textiles; and she shaped her pieces using an equally astonishing variety of materials, from wood and wicker to silver, ceramics and fiberglass.
Born in Copenhagen, she trained as a cabinetmaker at the Royal Academy's furniture school — overseen by the great craftsman of the day, Kaare Klint — and graduated in 1943. Ditzel’s early work adhered to the classic Danish modernist tenets of simplicity, comfort and quality, and her armchairs, with their softly curved backrests are much in the spirit of Hans Wegner. Ditzel’s signature piece of that time is her Ring chair. Designed along with her husband, Jørgen Ditzel, a fabric maker, the chair has a semicircular padded armrest that seems to embrace the sitter. Ditzel began designing in wicker and in 1959 produced the Hanging chair. The piece, suspended from the ceiling by a chain, became a favorite for fashion shoots and may be as iconic of the 1960s as Eero Aarnio’s plastic Ball chair of 1963.
In 1956, Ditzel began designing for the Danish silverware firm Georg Jensen. In an association that lasted some 40 years, Ditzel would create organically shaped jewelry, barware, ceramic tableware and even tablecloths. Like her fellow Dane Verner Panton, Ditzel was not afraid to embrace industrial materials, and she began designing fiberglass chairs in the mid-1960s. Some of her most flamboyant work came toward the end of her career, in pieces such as 1989’s Bench for Two, with its shocking Op-art finish, or the Trinidad chair of 1992, with it’s sunburst-like, cut-though backs. Such feats of creativity were a fitting coda to one of the most imaginative, prolific and remarkable women of modern design.
Selig
As an importer and producer, the Selig furniture company helped popularize timeless and elegant postwar designs in the United States.
Selig created Danish-inspired chairs, sofas and other furnishings for the home that were cutting-edge, contemporary and airy. The brand was also among the first to introduce Scandinavian and European modern styles to Americans in the 1950s and 60s. The company imported and manufactured furniture known for its extraordinary design and style using high-quality, enduring and seductive materials.
Selig was founded in 1931 by Mandell Selig and Samuel Wexler. The pair started the business during the challenging economic times of the Great Depression prior to World War II. By the 1960s, under the leadership of Wexler's son, Robert, Selig peaked with manufacturing factories in five American cities.
Selig’s importing business had a meaningful impact on Italian furniture manufacturers. Wexler, the junior, had a hand in advancing and growing the manufacturing sector of the country’s Udine region. Due to this contribution, the Italian government saw fit to knight Robert Wexler with the title of “Cavaliere.”
After nearly four decades of influencing seating and lounging preferences in the United States with sophisticated mid-century modern and Scandinavian modern furniture — including its own chrome rocking chairs and leather club chairs — Selig sold to Simmons, the mattress company, in 1970, thus dissolving. Much of what they produced and imported is still available despite no longer being manufactured, and many collectors seek original Selig furniture.
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