Oak and Leather Upholstered Chair Strongly Attributed to Ludvig Pontoppidan

A hand stiched leather desk chair by French designer Jacques Adnet. featuring a tubular steel frame, upholstered with patinated leather. Adnet introduced the frame in combination wit...

Set of six Lucite newly upholstered armchairs unmarked but strongly attributed to Lion in Frost.

A Fritz Hansen armchair with deep upholstered seat and button fitted upholstered back having an oak frame.

A pair of Sycamore open armchairs attributed to Raphael Raffel (French, 1912-2000) newly upholstered in Rogers & Goffgon fabric. Circa 1940's-1950's.

Italian upholstered armchair attributed to Paolo Buffa ( 1903 - 1970 ) having open vertical dowels in the arms.

Model 3117 steel and vinyl adjustable desk chair by Arne Jacobsen (Danish. 1902-1971) for Fritz Hansen Sevener. Stamped. Denmark.

A fine French Art Deco patinated beech armchair attributed to Alfred Porteneuve.

Armchair circa 1960 attributed to Steiner. Coating to change.

Montgomery arm chair by Crump and Kwash Hand shaped white oak frame / commercial finish / handwoven hickory brown leather seat and back / nylon glides Also available with black le...

A mahogany and cane armchair attributed to Harvey Probber.

This chair is a excellent vintage example of Wegner's round chair made of oak. The label places it as made before 1970. The leather on the seat shows some peeling, wear and tear ...

An exceedingly rare Hans J. Wegner Model A721 cognac leather and oak early Danish Mid-century executive chair for Planmøbel, Denmark 1940. Originally designed by Wegner following his work for Arne Jacobsen and Erik Møller’s ground breaking Rådhus (Aarhus City Hall) project in 1940, the A721, stands out as one of his earliest known chair designs. Along with a number of other chairs like the B123, the Rådhus chairs were handcrafted by Michael Laursen, I.C.A Nielsen and Planmøbel specifically for the project. Originally made in small numbers all the chairs were of uniform construction with solid oak frames matched to leather upholstery and with thick, solid jointing work that complemented the angular forms. Here we also see for the first time, Wegner’s use of the flared arm rest that were a signature design element for every armchair produced for the Rådhus. These flares were either carved into the wood (as in the Council chamber chairs...