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Otto Schulz, Leather Lounge Chair for Boet, Sweden, C.1940

$1,484.48List Price

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Danielle Quarante, Albatros Lounge Chairs, Fiberglass and Resin. France, C.1965
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The Albatros lounge chair, edited by Airborne, was designed by French designer Danielle Quarante in the late 1960s and received the Henri Mercier Prize for Best Design at the Salon d...
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Danielle Quarante, Albatros Chair For Airborne, Fiberglass, Resin France C.1965
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Danielle Quarante, Albatros Chair For Airborne, Fiberglass, Resin France C.1965
By Airborne International, Danielle Quarante
Located in Munster, NRW
The Albatros lounge chair, edited by Airborne, was designed by French designer Danielle Quarante in the late 1960s and received the Henri Mercier Prize for Best Design at the Salon d...
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Danielle Quarante, Albatros Chair For Airborne, Fiberglass, Resin France C.1965
By Airborne International, Danielle Quarante
Located in Munster, NRW
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Danielle Quarante, Albatros Chair For Airborne, Fiberglass, Resin France C.1965
By Airborne International, Danielle Quarante
Located in Munster, NRW
The Albatros lounge chair, edited by Airborne, was designed by French designer Danielle Quarante in the late 1960s and received the Henri Mercier Prize for Best Design at the Salon d...
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Erik Gunnar Asplund, “GA9” Wall Lights for ASEA, Sweden 1940s
By Hans Bergström, Erik Gunnar Asplund, Lisa Johansson-Pape, ASEA
Located in Munster, NRW
With its organically shaped blown glass shade, especially rare in this opaline frosted glass version, the GA9 resembles a floating droplet. Designed by Swedish architect Erik Gunnar Asplund, widely regarded as the godfather of Swedish modernism, this lamp embodies his signature geometric clarity and structural ingenuity. Like his Stockholm City Library, it balances simplicity with innovation. A bent arm holds the glass, while another secures the light source at the luminaire’s center. The black lacquered metal curves organically, contrasting with polygonal backplates—an interplay of geometry and fluidity that defines Asplund’s vision. The large, mushroom-like shades diffuse light in a soft, mesmerizing glow, enhancing the atmosphere beyond mere functionality. Asplund’s influence extended to Scandinavian design icons such as Alvar Aalto, Erik Bryggman...
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