Pair of 19th century Chippendale design mahogany armchairs

Beautiful set of 4 Danish empire armchairs circa 1860. Comprising of 2 armchairs and 2 open frame armchairs.  Main feature being the scrolling arm and scrolling front leg.  Carved b...

Pair of carved oak 19th century armchairs circa 1890. Good quality pair of chairs very much in the taste of chippendale.  Typical shaped back rest with carved detailing.  Scrolled a...

19th century french empire revival mahogany armchair, circa 1860. Single french armchair made in mahogany. Shaped back linking to the padded armrests and scrolled arms. Front scroll...

Pair of 19th century carved walnut armchairs circa 1890. Good quality pair of carved french armchairs, made in walnut.  Profusely carved on all surfaces in the solid. Open frame des...

A magnificent pair of large Philadelphia Chippendale mahogany armchairs with Flamestitch ReUpholstered Seats. Newer upholstery. Measures 30" In Width, 23" in depth and 41.5" in heigh...

A fine quality mid-19th century Chippendale style mahogany Gainsborough armchair, having serpentine back above acanthus leaf and blind fret carved set-back arms supported on fret car...

Late 19th Century Chippendale mahogany needlepoint Upholstered armchair with carved cabriole legs terminating with ball and claw feet. Measures 26" in width, 23" in depth and 38.75" ...

An important pair of mid-18th century Chippendale period mahogany Library Armchairs, having unusual carved and scrolled cartouche-shaped backs, with scroll moulded set-back arms. The Chairs having stuffover seats with gadrooned borders, supported on blind fret carved cabriole legs with scrolled toes. For similar examples see Chippendale's Director, 'French Chairs' Plate XXI Further information: Similar examples of our Library Armchairs can be found in the third edition of Thomas Chippendale book Gentleman and Cabinet Maker’s Director (1762). The pair resembles the right chair design in Plate XXI, catalogued by Chippendale as “French Chairs”. He described in his book that this model “may be executed to advantage, some of them are intended to be open below at the back: which makes them very light without having a bad effect.’ His design illustrates his familiarity with the fashionable French Rococo style represented by the curvilinear form of the chair and scrolled feet. The carved surface decoration on our Chairs is much less elaborate than that on the published design and is more reminiscent of the work of Robert Manwaring...