Pair of Antique Painted Curule Armchairs in the style of Jean-Joseph Chapuis

A very rare 'curule' settee, late 19th century after a design by Jean-Joseph Chapuis. Provenance: Madeleine Castaing, Maison de Lèves, Chartres, France. Why we like it Besides the iconic provenance, this bench is a great example of the 19th century design, informed by classical antiquity. Decorated in the exotic 'Etruscan' style to simulate patinated bronze, with its dramatically exaggerated curves, evoking the ancient Roman 'sella curulis' - a symbol of magisterial power, this settee is truly a special example of its kind. A squab cushion covered in a fabric complimenting other textiles in the existing interior will complete the look of this super-stylish bench. Provenance – Madeleine Castaing Together with a pair of armchairs en-suite (sold by us in may 2022), this settee was photographed in the vestibule at Maison de Lèves near Chartres - country house of the iconic French interior designer and antiques dealer Madeleine Castaing (1894–1992). Madeleine married the heir and art critic Marcellin Castaing – the legendary love of her life – who in the 1920's acquired a neoclassical gentilhommière at Lèves, that she had been admiring since her days in a convent school nearby, for her to "unwind" as he explained. The house would become one of her masterpieces as she discovered her own vocation for interior design. Extant photographs reveal a number of changes that had been made to the interiors over time. The writer Maurice Sachs once wrote about Madeleine's passion for her home: “The constant transformations she made to the estate kept her as busy as the world can keep a socialite…”. The contents of Maison de Lèves as well as Castaing's Rue Jacob...

An extremely rare and elegant cream and green painted armchair of George III period, attributable to the renown firm of Gillows of Lancaster and London. English, circa 1805–10. Truly...

Despite his long life, very little is known about the general production of menuisier (chairmaker) Jean-Joseph Chapuis and even less about his use of bent laminates, which must be viewed as the most advanced of its kind until the appearance of Michael Thonet’s work of the 1830s. The profound reverence for the classical world in enlightened circles in early nine-teenth-century Europe and the United States often resulted in the archaeological resurrection of the art, architecture, and design of ancient Greece and Rome. No chair employing the innovative technique of bending wood more boldly expresses this allegiance to the past than this armchair painted in le style antique and based on the ancient Roman sella curulis (folding stool); With a curved toprail decorated with putti supporting a medaillion and flanked by scrolling acanthus, the arms with ball finials, above a caned seat, on curved supports terminating in foliate gilt-metal sabots. This merger of technological innovation with fashionable aesthetics parallels the work of the American Samuel Gragg...

Mahogany Curule style open armchair in the manor of the design of Thomas. Hope. This attractive late 19th century chair has a moulded X frame facade with ...