Pair of Jean Pascaud Ebonized Mahogany & Velvet Round Back Chairs, France, 1940

Rustic Hand Made Thatched Seat Chair, France, Rhone Alps Region Beautiful grain & Patina Seat h: 13-13.5 in.

Lance Thompson white oak French 1950s style lounge chair Made to Order, COM H 34, D 33.5, W 24.75 in. Lead time 8 weeks. (One pair on Stock as Shown...

Oak & Straw French Modernist Armchair, France, c. 1950

Beautiful French Workshop Made Wrought Iron and Brass Ball Mirror in the style of Jean Royere

Pair of Mid-Century Jean Pascaud ( 1903 - 1996 ) armchairs. Mid 20th century. France.

Jean Pascaud, pair of lounge chairs, velvet fabric, wood, France, circa 1932 These armchairs, designed by the acclaimed French designer and interior decorator Jean Pascaud around 19...

Drawn with the quiet confidence of a single, unbroken line, this pair of French barrel-back lounge chairs distills the spirit of 1930s design into a composition of curved mass and at...

French mid-century light mahogany armchair with gilt bronze sabot feet and armrest supported by gilt bronze eagles with brown upholstery. Signed by Vadim Androusov for Jean Pascaud (ref: Les Decorateurs des annee 40, pg 172). Jean Pascaud was born in Rouen in 1903. He took a degree in engineering from the Ecole Centrale des Arts et Manufactures, but his passion for furniture and décor, and the influence of his father in law, Auguste Bluysen, (then President of the Société des Architectes Modernes), led Pascaud to abandon a more traditional career and take up furniture design instead. By the late 1920s Pascaud regularly at the Salon des Tuileries, at the Salon d'Automne, the Salon des Artistes Décorateurs, and the Arts Ménagers. His work is simple, yet technically ambitious and brilliant; his pieces are impressively large, but aesthetically balanced. Vadim Androusov was born in St. Petersburg in 1895. He was a grandson of the archeologist Schliemann. He arrived in Paris in 1920 and took classes at La Grande Chaumière academy; Bourdelle was one of his professors. His first sculptures date from 1925 and depict female figures and characters drawn from classical antiquity. He rarely used bronze, preferring terracotta, plaster, wood, and stone. He showed his creations at the Salon des Tuileries and the Salon des Indépendants. While a sculptor, he also collaborated with interior decorators and created wall-mounted light fixtures, furniture pulls...