Pair of Neoclassical Armchairs in the Style of André Arbus, circa 1940

Pair of Art Deco armchairs in walnut in the style of Andre Arbus around 1940 patina to see again faux leather in good condition 1 third armchair is also available.

Art Deco armchair in walnut in the style of Andre Arbus circa 1940 patina to redoo upholstery to be redone, a tear in the backrest 2 armchairs are also available. in another ad

1940s pair of French Art Deco armchairs in the style of André Arbus Painted wood, Upholstery redone, slightly dirty fabric A series of 6 model chairs are also available.

2 1940s French Art Deco armchair in the style of André Arbus. Rather in good condition, unfortunately there is a small hole on the seat of an armchair.

1940s French Art Deco armchair in the style of André Arbus. walnut and leather the leather is not holed, but it is worn.

1940s French Art Deco armchair in the style of André Arbus.  

Pair of French lounge chairs, Bissson Bruneel fabric, France 1940's. Shape of the backrest in the style of Andre Arbus and two lacquered oak legs.

These elegant André Arbus armchairs are sure to add an element of French neoclassicism chic to any room in your home. They were designed and prod...

These elegant André Arbus armchairs are sure to add an element of French neoclassicism chic to any room in your home. They were designed and prod...

A beautiful variation from a set commissioned in 1945 by Georges Fontaine, administrator of the Mobilier national, for the layout of Jacques Jaujard'...

Sofa in the style of André Arbus, Bisson Bruneel fabric, France, 1940's. Two legs in lacquered oak.

French Forties Art Deco pair of large-scale armchairs in the style of Andre Arbus. 26” wide x 30” deep x 37” high. Andre Arbus (1903-1969) French Art Deco Architect and Designer, ANDRE ARBUS, was born in Toulouse, France and was a third-generation cabinetmaker. Arbus became active in the Salons of the Societe des Artistes Decorateurs and the Salon d’Automne in Paris in 1925 at the young age of 22. His work included commissions for the 1922 oceanliner Bretagne, the 1927 La Provence and Ile-de-France as well as the 1961 France. He often used rare and exotic materials in his refined designs. These were elegant and pure and often gave the appearance of fragility – as in his neo-classical presentation at the Paris International Exposition of 1937. He compared the joints in his furniture to the joints of the human hand. His commissions also included private townhouses as well as Le Mobilier National for which he designed a desk for U.S. Ambassador W. H. Harriman, and the post World War II Medici Room of the Chateau de Rambouillet.