Set of 2 Armchairs designed by J. Hoffman, Model No. 423, Early 20th Century

Fledermaus secession armchairs no.423 designed by Josef Hoffmann for the Fledermaus Cabaret in 1905. Made by J&J Kohn, beautiful original preservation, stains on two seats.

Fledermaus armchairs no.423 by Josef Hoffmann in very good original condition with signs of usage.

An elm and huanghuali yoke back armchair China, late 19th Century - early 20th Century

A rustic and chic early 20th century American hickory framed armchair with woven sides and back, and a creamy ivory painted finish. Perfect for your country house, but equally at hom...

This French armchair showcases a blend of elegance and traditional craftsmanship. The chair features a sturdy oak frame, with its legs and arm supports intricately turned, adding a s...

Set of 8 bamboo-like wood armchairs, England – early 20th century. Product details Open square backrests, circular seats with cane seating, and tapered legs. Structure and armrests i...

Armchair model "Leda" Structure in polished cast brass varnish. Salvador Dali Taken from “Femme à tête de roses" (1935)” 1935 (Woman with a head of roses). It was sufficient for this sculpture to be made as a three dimensional piece, remaining faithful to every detail in Dalí’s painting. Dalí affirmed: “A chair can be used even to sit on, but only on one condition: That we sit uncomfortably.” We can sit on the Leda, but due to the fact that it only has three legs and that the chair is heavy, it being made of solid brass, is more a work of art than a functional piece of furniture. © Salvador Dalí, Fundació Gala-Salvador Dalí, Figueres, 2022 Artworks by Salvador Dalí: © Salvador Dalí, Fundació Gala-Salvador Dalí, VEGAP, Barcelona, 2022 Salvador Dalí is the most versatile and prolific artists of the 20th century and the most famous Surrealist. Though chiefly remembered for his painterly output, in the course of his long career he successfully turned to sculpture, printmaking, fashion, advertising, writing, filmmaking and design. Born in Figueres, Catalonia, Dalí received his formal education in fine arts in Madrid. Influenced by Impressionism and the Renaissance masters from a young age, he became increasingly attracted to Cubism and avant-garde movements. He moved closer to Surrealism in the late 1920s and joined the Surrealist group in 1929, soon becoming one of its leading exponents. In the Paris of the 1930s, Dalí surrounded himself with a circle of friends working in the application of art to a number of varied disciplines, beyond the study of purely pictorial art. One of these, Jean-Michel Frank, an acclaimed furniture designer and decorator in Paris at that time, got on extremely well with Dalí, and together they developed a number of ideas. One example of this is the Bracelli lamp, a classic design in Jean-Michel’s manner of designing and working that Dalí adopted for his home in Portlligat. Among Dalí’s projects, which add to his CV as a designer, are the garden furniture for his home in Portlligat, the complete architecture of the Night Club (in the shape of a hedgehog) for the Hotel Presidente in Acapulco (1957) and a project for a bar in California in the 1940s. His creations were not limited to traditional furniture elements, but included taps, handles, knobs, prints and objects of indeterminate use. In 1933, Dalí even registered the patent for the design of a bench as an outdoor seat. In the 1990s, a team of experts led by Oscar Tusquets set out to bring to life the furniture that Dalí had sketched for Jean-Michel Frank, including the Leda chair and low table taken from the 1935 painting “Femme...

Armchair model "Leda" Structure in polished cast brass varnish. Salvador Dali Taken from “Femme à tête de roses" (1935)” 1935 (Woman with a head of roses). It was sufficient for this sculpture to be made as a three dimensional piece, remaining faithful to every detail in Dalí’s painting. Dalí affirmed: “A chair can be used even to sit on, but only on one condition: That we sit uncomfortably.” We can sit on the Leda, but due to the fact that it only has three legs and that the chair is heavy, it being made of solid brass, is more a work of art than a functional piece of furniture. © Salvador Dalí, Fundació Gala-Salvador Dalí, Figueres, 2022 Artworks by Salvador Dalí: © Salvador Dalí, Fundació Gala-Salvador Dalí, VEGAP, Barcelona, 2022 Salvador Dalí is the most versatile and prolific artists of the 20th century and the most famous Surrealist. Though chiefly remembered for his painterly output, in the course of his long career he successfully turned to sculpture, printmaking, fashion, advertising, writing, filmmaking and design. Born in Figueres, Catalonia, Dalí received his formal education in fine arts in Madrid. Influenced by Impressionism and the Renaissance masters from a young age, he became increasingly attracted to Cubism and avant-garde movements. He moved closer to Surrealism in the late 1920s and joined the Surrealist group in 1929, soon becoming one of its leading exponents. In the Paris of the 1930s, Dalí surrounded himself with a circle of friends working in the application of art to a number of varied disciplines, beyond the study of purely pictorial art. One of these, Jean-Michel Frank, an acclaimed furniture designer and decorator in Paris at that time, got on extremely well with Dalí, and together they developed a number of ideas. One example of this is the Bracelli lamp, a classic design in Jean-Michel’s manner of designing and working that Dalí adopted for his home in Portlligat. Among Dalí’s projects, which add to his CV as a designer, are the garden furniture for his home in Portlligat, the complete architecture of the Night Club (in the shape of a hedgehog) for the Hotel Presidente in Acapulco (1957) and a project for a bar in California in the 1940s. His creations were not limited to traditional furniture elements, but included taps, handles, knobs, prints and objects of indeterminate use. In 1933, Dalí even registered the patent for the design of a bench as an outdoor seat. In the 1990s, a team of experts led by Oscar Tusquets set out to bring to life the furniture that Dalí had sketched for Jean-Michel Frank, including the Leda chair and low table taken from the 1935 painting “Femme...

Pair of armchairs by Olivier Schrijver in black synthetic fur and black stained wood, 20th century design. Pair of armchairs signed by Olivier Schrijver, numbered 30/240, in black s...

A well drawn early 20th century back armchair. Raised on 4 cabriole legs. Structurally in good solid order. Currently upholstered to a good standard in a soft pink velvet with a ...