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Cappellini Orla Swivel Armchair in Poplar and Fabric by Jasper Morrison

About the Item

Classic and contemporary stylistic elements define the Orla sofas and armchairs by Jasper Morrison, a masterpiece of contemporary design that has entered the collection of the Tate Modern, in London. Characterized by soft, sinuous lines, slender shells and generous, comfortable cushions, the Orla series is a tasteful addition to both domestic and contract settings. For the armchair the cover of the structure is fixed, but removable for the cushions, and is available in the fabrics and leathers of the collection; for the small sofa and small armchair, the cover is fixed for both the structure and the cushions – all of which are also available in the fabrics and leathers in the collection. Armchair structure: foam with metal frame and elastic belts, padding: multi-density polyurethane foam and fiber, base: medium-density wooden conglomerate panel Available Finishes: Hallingdal2: 126D black/white, 554D grey, 553D black, 561D orange, 657D red, 556D blue, 960D green, Hero: 800E cream,803E dove, 809E red, 812E blue, Leather: 900G white, 908G black, 914G cream, 915G dark brown, 918G beige, Base: Matte lacquered black Note 1: Stitch thread in the same fabric and leather color Note 2: Free fabric matching between armchair and seat cushion not available.

Creator:

Jasper Morrison (Designer),Cappellini (Manufacturer)

Dimensions:

Height: 23.23 in (59 cm)Width: 33.86 in (86 cm)Depth: 32.68 in (83 cm)

Style:

Modern (In the Style Of)

Materials and Techniques:

Foam,Metal,Wood

Place of Origin:

Italy

Period:

21st Century

Date of Manufacture:

Contemporary

Production Type:

New & Custom(Current Production)

Estimated Production Time:

8-9 weeks8-9 weeks8-9 weeks8-9 weeks8-9 weeks8-9 weeks8-9 weeks8-9 weeks8-9 weeks8-9 weeks8-9 weeks8-9 weeks8-9 weeks8-9 weeks8-9 weeks8-9 weeks8-9 weeks

Condition:

Seller Location:

New York, NY

Reference Number:

ORL1G_HALLINGDAL 2 556ORL1G_HALLINGDAL 2 554ORL1G_HALLINGDAL 2 553ORL1G_HALLINGDAL 2 126ORL1GORL1G_HARALD 2 801ORL1G_HARALD 2 803ORL1G_HALLINGDAL 2 960ORL1G_HALLINGDAL 2 657ORL1G_HALLINGDAL 2 561ORL1G_Leather 908ORL1G_HERO - 812ORL1G_HERO - 809ORL1G_HERO - 803ORL1G_HERO - 800ORL1G_HARALD 2 807ORL1G_Leather 932ORL1G_Leather 918ORL1G_Leather 914ORL1G_Leather 900ORL1GORL1GORL1GORL1GORL1GORL1GORL1GORL1GORL1GORL1GORL1GORL1GORL1GORL1GORL1GORL1GORL1GORL1GORL1GORL1GORL1GORL1GORL1GORL1G_Leather 915ORL1G_HARALD 2 805ORL1GORL1GORL1GORL1GORL1GORL1GORL1GORL1GORL1GORL1GORL1GORL1GORL1GORL1G

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Cappellini

In 1946, at the start of a postwar boom in Europe, Enrico Cappellini opened the doors to a small furniture studio in the Italian town of Carugo. But it wasn’t until his son joined the company nearly three decades later that Cappellini became a powerhouse fixture on the global design stage. Today Cappellini is one of the world’s foremost manufacturers of innovative chairs, tables and decorative objects.

Giulio Cappellini joined the family company in 1977 and, with his appointment, ushered in a stage of boundary-pushing modernism and prolific creativity at Cappellini. With a dual background in architecture and business management, Giulio was well equipped to steer the brand into both innovative design and economic growth in a rapidly globalizing economy.

The second-generation leader’s first major success came in 1981, with the launch of Sistemi, a modular, hyperfunctional storage system that would come to symbolize the chic functionality of Cappellini. That was quickly followed by a collaboration with renowned Japanese designer Shiro Kuramata for the Progetti Compiuti collection, a line that brought unexpected playfulness to the simple framework of a black-and-white cabinet and remains an iconic collectible today.

That first collaboration opened the doors to a prolific output of partnerships, with Cappellini tapping such star designers as Jasper Morrison, Marcel Wanders, Tom Dixon, Ronan and Erwan Bouroullec and Nendo for collections over the ensuing decades that spanned a range of materials and styles. Speaking to this range, Marc Newson’s plumply curvaceous 1988 Embryo chair, Jasper Morrison’s slightly arachnoid 1987 Thinking Man’s chair and Tom Dixon’s sculptural 1991 S-chair — each quite stylistically unique — remain some of the company’s most recognizable pieces, with the latter in the permanent collection of the Museum of Modern Art.

Cappellini, now headquartered in Milan, continues to partner with guest designers across furniture, storage and lighting solutions, though many of its 1970s and ’80s designs remain its most coveted today.

Find vintage Cappellini furniture on 1stDibs.