Tacchini Julep Armchair in Mustard Bopha Fabric by Jonas Wagell

The designer drew inspiration from the work of minimalist artist Ellsworth Kelly, creating a chair with slender metal legs and a padded shell with a simple, linear shape. An essentia...

Spin is a family of ottomans which resumes a technique such as “random” stitching, already applied in the Doodle chairs by designers Claesson Koivisto Run...

Ladle Armchair designed by Luca Nichetto for Arflex showcases the contemporary design model. The structure of the chair is extremely adaptable. The seat...

Hall Armchair is designed by Roberto Menghi for Arflex. This armchair receives in 1959 the honorable mention for the Compasso d’Oro. We are at the end of the ‘50s: an interesting ser...

UPHOLSTERED IN RICINUS 05 CAT. V Soft, enveloping shapes characterize this family of upholstered pieces. Julep is influenced by the 1950s Avant-Garde movement, drawing upon its simpl...

UPHOLSTERED IN RICINUS 05 CAT. V Soft, enveloping shapes characterize this family of upholstered pieces. Julep is influenced by the 1950s Avant-Garde movement, drawing upon its simpl...

Soft, enveloping shapes characterize this family of upholstered pieces. Julep is influenced by the 1950s Avant Garde movement, drawing upon its simplicity and grandeur, refined by a contemporary, romantic, feminine allure. Star of the series is the sofa, whose generous rounded lines provided evolutionary DNA for the entire collection – including an armchair, a chaise-longue and an ottoman – in an interplay of proportions and shapes that gave rise, little by little, to all the other versions. Fully upholstered, the seats look ample and full, yet convey a sense of lightness, thanks to the recessed base that invisibly lifts them off the floor. Designed...

Soft, enveloping shapes characterize this family of upholstered pieces. Julep is influenced by the 1950s Avant Garde movement, drawing upon its simplicity and grandeur, refined by a contemporary, romantic, feminine allure. Star of the series is the sofa, whose generous rounded lines provided evolutionary DNA for the entire collection - including an armchair, a chaise-longue and an ottoman - in an interplay of proportions and shapes that gave rise, little by little, to all the other versions. Fully upholstered, the seats look ample and full, yet convey a sense of lightness, thanks to the recessed base that invisibly lifts them off the floor. Designed...