Werner Max Moser Tubular Steel Armchair for Embru Werke

First edition of the second volume (of three) of the renowned graphic design publication Die Quelle (the Source), deemed, along with the journal Die Flache, as among the finest examples of Secession-style graphic design. Published by M. Gerlach & Co of Vienna and Leipzig; not dated but circa 1902-1905. Buchschmuck und Flachenmuster translates to Book Decoration and Surface Design. It presents the work of Max Benirschke (1880-1961), an Austrian architect, illustrator, and designer who studied at the Kunstgewerbescule in Vienna under Josef Hoffmann and was subsequently hired by Peter Behrens in 1903 to teach at his newly founded School of Applied Arts in Dusseldorf. In 1900, Benirschke was enlisted by the famed Viennese publisher Martin Gerlach to produce a folio for Die Quelle; the result shows Benirschke “at the height of his Jugenstil period with a series of curvilinear plant motifs and patterns.” According to Austrian gallerist Michael Steinbach, the present volume is “one of the most important design portfolios...

Iconic low rocking stool with a maple top and base and chrome-plated steel rods, a 1954 Isamu Noguchi design for Knoll re-issued by Vitra in 2001. Intended ...

Swiss striped light blue armchair 1435 by Werner Max Moser for Embru, 2000s Armchair mod. 1435 with a rectangular base. The seat and backrest are made up of two padded cushions cover...

Rare Architect Werner Max Moser sofa for Wohnbedarf, Switzerland, 1930s.