Italian Rococo Revival Carved Giltwood Bench, 3rd Quarter 19th Century

This English Country house bench is solid oak in the Classic Curule design. This window bench has a warm oak patina and rich red velvet seat. Me...

This is a lovely Italian hand carved bench. The frame is a sort of a white wash with carved gilt accents. The blue upholstery has somewhat of a texture to it. It is in very good cond...

Rare, Louis XV carved walnut bench with original finish and original leather upholstery. Such a wonderful state of preservation, yet strong and ready to be used. Please contact me wi...

Faux bamboo (English, 19th century) ebonized and gilt trimmed round stool/bench with a needlepoint seat.  

This outrageous and vibrant Italian Rococo stool is a dazzling fusion of bold upholstery and masterful craftsmanship. The frame, executed in richly carved giltwood with an ebonized b...

Antique Italian Rococo Styled Carved Giltwood Tufted Bench Newly Upholstered in Plush Emerald-Mist Velvet This exquisite antique Italian Rococo styled bench features a beautifully c...

Here is a fine, 19th century, brown leather, button tufted foot stool with mahogany frame and brass tacks over turned legs and brass wheels. Having t...

Late 19th Century Louis XV Style Parcel Gilt Painted Bench or Footstool with later blue and white checked upholstery, parcel gilt painted frame, rising on cabriole legs

1928 Italian train bench in fantastic condition. This rare piece was made in 1928 for 3rd class travelers in the so-called Centoporte, 100 doors, train set...

18th Century, pair of Italian Rococo carved giltwood benches. This elegant pair of two-seater benches was built in the second half of the 18th century in Rome, Italy. The structure, in richly carved and gilded wood, has the characteristics of the Baroque period. The band under the seat has a mixed profile and is carved with rocaille motifs and rich floral decoration in relief in the central part. The four legs, curved and moved, have on the uprights the same carvings and in the terminal part of the foot emerges a scroll. The rear uprights, carved with curled end, are higher than the seat, in order to slender the image of the benches vertically. The seat is lined with velvet from a later period. These benches can be exhibited in pairs or individually in entrances or corridors, in living rooms and studios or in a room at the foot of the bed. They can also be placed below large paintings. Very decorative, bright and graceful, they are suitable both in contexts characterized by antique and modern furniture.