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Mexican Live Edge Bench in Solid Rosewood

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James Bearden "Ant Bench"
By James Bearden
Located in New York, NY
"Ant Bench," a one-of-a-kind tour-de-force by American artist James Bearden. The blackened steel hand-welded and textured substructure and grille were created around a long and slend...
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2010s American Brutalist Benches

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Gary Gutterman Sculptural Cocktail Table in Steel and Glass
By Gary Gutterman
Located in New York, NY
“Jason” cocktail table in stainless steel and glass by New York City designer and interior decorator Gary Gutterman. An exceptionally well-executed continuous form with the unusual f...
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Architectonic Cut Plywood Midcentury Cocktail Table
By Nathan Lerner
Located in New York, NY
Rectangular cocktail table of cut laminated plywood with solid wood supports. A well-constructed circa 1940s design with an architectural bearing, likely a one-off commission. The top sits within two lateral struts, giving the appearance of bridge architecture. . A design in the manner of Nathan Lerner...
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Vintage 1940s American Mid-Century Modern Coffee and Cocktail Tables

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Oscar Stonorov and Willo von Moltke Organic Design Coffee Table
By Oscar Stonorov and Willo von Moltke
Located in New York, NY
Boat-shaped coffee table with beveled edges in silvered walnut by the team of German-born American architects Oscar Stonorov and Willo von Moltke, designed for the Museum of Modern Art's 1941 Organic Design in Home Furnishings competition, and produced in very small numbers by Red Lion Furniture of Pennsylvania. Per the MoMA catalog, “a design may be called organic when there is an harmonious organization of the parts within the whole, according to structure, material, and purpose. Within this definition there can be no vain ornamentation or superfluity, but the part of beauty is none the less great—in ideal choice of material, in visual refinement, and in the rational elegance of things internded for use.” The suite of furnishings designed by Stonorov and von Moltke---including a vanity, coffee table, dining set, bed, nightstand, and case pieces--won honorable mention at the seminal competition and received a preferred placement at the MoMA exhibition itself. The winning entries in the competition, which included the iconic seating and unit furniture by Charles Eames and Eero Saarinen, were showcased at eleven department stores across the country--notably Bloomingdale's and Kaufmann's--and were intended for serial production, but America's entry into WWII a month after the opening of the exhibition, along with higher than expected price points across the board meant that few pieces were actually made outside the ones initially sent to the participating department stores. This was especially true for the Stonorov and von Moltke suite, which wound up being among the most expensive items...
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Vintage 1940s American Organic Modern Coffee and Cocktail Tables

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Sculptural Vessels in Gray by Sonja Duo-Meyer
By Sonja Duó-Meyer
Located in New York, NY
Sculptural vessels in an ovoid form with walled aperture. Hand-built of gray chamotte Limoges porcelain by Swiss ceramic artist Sonja Duo-Meyer (b. 1953) and executed circa 1995. The...
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1990s Swiss Brutalist Abstract Sculptures

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La Ceramica in Italia
By Guido Gambone
Located in New York, NY
Well-edited and lavishly illustrated survey of mid-century Italian ceramics, written by Hugo Blattler and published in Rome in 1958 by Aristide Palombi as part of the Arti Pratiche series, intended to contribute to an examination in depth of the material, as well as to the documentation and to the spreading of knowledge of each separate subject. Features vessels, lighting, fireplaces, and artworks by renowned artists such as Lucio Fontana, Salvatore Meli, Fauson Melotti, Gio Ponti, Antonia Campi, Marcello Fantoni, Franco Meneguzzo, Pietro Melandri, and Guido Gambone, along with a host of lesser-known figures. Stellar abstract designs throughout. Square 8vo (8.5” x 9”), 206 pages, hardcover, illustrated throughout in b/w. Slight lean to spine. Mild soiling to extremities, with chipping to corners. Professional repair to front hinge, as well as between pp. 194-5 and 204-5. Light chipping to first two leaves. The complete front cover remains of the dust jacket, which is still crisp and vibrant, with only minor chipping to top edge. Missing spine and back of dust jacket. A must-have for collectors and connoisseurs of Italian design and mid century ceramics.
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Vintage 1950s Italian Mid-Century Modern Books

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Paper

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