Pair of Italian Carved Benches, Neopolitan, Circa 1840

Belgian modernist benches, each crafted with a sleek metal base and a solid teak top. These pieces embody a minimalist design ethos while maintaining a warm, inviting appearance. The...

This railroad bench showcases a sturdy, utilitarian design with a timeworn patina that speaks to its history. Its elongated seat and solid construction reflect a practical yet elegan...

These benches have supple leather tops with sleek iron bases, creating a sophisticated blend of industrial and classic design elements. The rich patina of the leather adds character ...

This 19th-century Spanish bench showcases masterful craftsmanship with its solid wood construction and paneled backrest. The rich patina, achieved through years of use, enhances the ...

You are viewing a gorgeous Victorian oak settle or hall bench Circa 1840 Finely carved panelled back oak Lifting lid for storage Typically used in...

Solid walnut benches from Florence, Italy, 1840's. Nice proportions and well constructed. Recent coat of professionally applied paste wax for subtle luster to finish. Two available, ...

An English 1840 bench. Raised chamfered panels to the back. Dowl peg construction. Turned legs and arm support with loose cushion. New upholstery.

18th Century, pair of Italian Rococo carved giltwood benches. This elegant pair of two-seater benches was built in the second half of the 18th century in Rome, Italy. The structure, in richly carved and gilded wood, has the characteristics of the Baroque period. The band under the seat has a mixed profile and is carved with rocaille motifs and rich floral decoration in relief in the central part. The four legs, curved and moved, have on the uprights the same carvings and in the terminal part of the foot emerges a scroll. The rear uprights, carved with curled end, are higher than the seat, in order to slender the image of the benches vertically. The seat is lined with velvet from a later period. These benches can be exhibited in pairs or individually in entrances or corridors, in living rooms and studios or in a room at the foot of the bed. They can also be placed below large paintings. Very decorative, bright and graceful, they are suitable both in contexts characterized by antique and modern furniture.