Upholstery Canapes

This unique and particular Louis XVI style dog's bed, was produced in Italy. The wooden part is ivory lacquered and it is upholstered with a dove fabric. It is completely customiz...

Luizet 3 seats without back modular sofa by Luca Nichetto Materials: upholstery: fabric (also available in leather) Top: Verde Marinace granite/Emperador silver dark/Emperador Tund...

Luizet 2 seats modular sofa by Luca Nichetto Materials: Upholstery: Fabric Structure: Powder-coated metal, cast aluminum legs Dimensions: W 177 x D 89 x H 82 cm HS 42.5 cm.   A...

Elegant "Senior" sofa designed by Marzo Zanuso for Arflex in Italy, 1951. This sofa has been restored, it has been upholstered in a precious light green velvet from the prestigious ...

Pristine Florence Knoll Sofa for Knoll International. Upholstered in gorgeous Sina Pearson fabric. Florence Knoll was a pioneering designer and entrepreneur who created the modern look and feel of America’s postwar corporate office with sleek furniture, artistic textiles and an uncluttered, free-flowing workplace environment. To connoisseurs of Modernism, the mid-20th-century designs of Florence Knoll, were — and still are — the essence of the genre’s clean, functional forms. Transcending design fads, they are still influential, still contemporary, still common in offices, homes and public spaces, still found in dealers’ showrooms and represented in museum collections. Ms. Knoll learned her art at the side of Modernist masters. She was a protégé of the German-American architect Ludwig Mies van der Rohe and Eliel Saarinen, the Finnish architect and teacher and the father of the architect Eero Saarinen. And she worked with the renowned Bauhaus architects Walter Gropius and Marcel Breuer. Throughout her career, influenced by the German Bauhaus school of design, she promoted the Modernist merger of architecture, art and utility in her furnishings and interiors, especially — although not exclusively — for offices. In the 1940s, she married and became a business partner of the German-born furniture maker Hans Knoll, and over 20 years she was instrumental in building Knoll Associates into the largest and most prestigious high-end design firm of its kind, with 35 showrooms in the United States and around the world. While her husband handled business affairs, Ms. Knoll was the design force of Knoll Associates. It grew to become the leading innovator of modern interiors and furnishings in the 1950s and ’60s, transforming the CBS, Seagram and Look magazine headquarters in Manhattan, the H. J. Heinz headquarters in Pittsburgh and properties across the United States, Europe, Asia and South America, including American embassies. Her “total design” favored open work spaces over private offices, and furniture grouped for informal discussions. It integrated lighting, vibrant colors, acoustical fabrics, chairs molded like tulip petals, sofas and desks with chrome legs...

Bocca, the original 1970 lips-shaped couch is only Gufram’s. More than any other, this object of design represents the perfect abstraction of feminine beauty. It is no coincidence th...

Period French Napoleon III sofa in ebonized wood, with triple hump-camel back and turned and fluted front legs resting on casters, with uphols...

Bocca, the original 1970 lips-shaped couch is only Gufram’s. More than any other, this object of design represents the perfect abstraction of feminine beauty. It is no coincidence th...

Bocca, the original 1970 lips-shaped couch is only Gufram’s. More than any other, this object of design represents the perfect abstraction of feminine beauty. It is no coincidence that it was photographed by important photographers such as David La Chapelle...

Bocca, the original 1970 lips-shaped couch is only Gufram’s. More than any other, this object of design represents the perfect abstraction of feminine beauty. It is no coincidence that it was photographed by important photographers such as David La Chapelle...

Bocca, the original 1970 lips-shaped couch is only Gufram’s. More than any other, this object of design represents the perfect abstraction of feminine beauty. It is no coincidence that it was photographed by important photographers such as David La Chapelle...

Rubik is a customizable piece by being completely modular. Choose from different sizes, Rubik S, Rubik M and Rubik L and a great range of materials to choose from. Made to order.

Bocca, the original 1970 lips-shaped couch is only Gufram’s. More than any other, this object of design represents the perfect abstraction of feminine beauty. It is no coincidence th...

The Bart armchair brings a friendly sort of grandeur to your home. This single-seater does the rounded shapes of the Bart family even more justice, especially with the optional swive...

The Bart armchair brings a friendly sort of grandeur to your home. This single-seater does the rounded shapes of the Bart family even more justice, especially with the optional swive...

Pristine Florence Knoll sofa for Knoll International. Upholstered in gorgeous Sina Pearson fabric. Florence Knoll was a pioneering designer and entrepreneur who created the modern look and feel of America’s postwar corporate office with sleek furniture, artistic textiles and an uncluttered, free-flowing workplace environment. To connoisseurs of Modernism, the mid-20th century designs of Florence Knoll, were — and still are — the essence of the genre’s clean, functional forms. Transcending design fads, they are still influential, still contemporary, still common in offices, homes and public spaces, still found in dealers’ showrooms and represented in museum collections. Ms. Knoll learned her art at the side of Modernist masters. She was a protégé of the German-American architect Ludwig Mies van der Rohe and Eliel Saarinen, the Finnish architect and teacher and the father of the architect Eero Saarinen. And she worked with the renowned Bauhaus architects Walter Gropius and Marcel Breuer. Throughout her career, influenced by the German Bauhaus school of design, she promoted the Modernist merger of architecture, art and utility in her furnishings and interiors, especially — although not exclusively — for offices. In the 1940s, she married and became a business partner of the German-born furniture maker Hans Knoll, and over 20 years she was instrumental in building Knoll Associates into the largest and most prestigious high-end design firm of its kind, with 35 showrooms in the United States and around the world. While her husband handled business affairs, Ms. Knoll was the design force of Knoll Associates. It grew to become the leading innovator of modern interiors and furnishings in the 1950s and ’60s, transforming the CBS, Seagram and Look magazine headquarters in Manhattan, the H. J. Heinz headquarters in Pittsburgh and properties across the United States, Europe, Asia and South America, including American embassies. Her “total design” favored open work spaces over private offices, and furniture grouped for informal discussions. It integrated lighting, vibrant colors, acoustical fabrics, chairs molded like tulip petals, sofas and desks with chrome legs...

Solid beechwood, carved and gilt gilded. Semicircular rising, curved backrest framing with rocaille crowning. Appropriately curved frame with rich carved foliage. Profiled frame on c...

Pristine Florence Knoll Sofa for Knoll International. Upholstered in gorgeous Sina Pearson fabric. Florence Knoll was a pioneering designer and entrepreneur who created the modern...