Brutalist Spanish Midcentury Sculptural Tripod Chair

Italian Mid-Century Modern red leather and black metal frame dining chairs by Mobiltecnica Torino 1950s. Like new conditions, reupholstered.

Unique Willy Rizzo for Mario Sabot set off four dining chairs made of curved wood lacquered in black shiny colour and leather padded cushions, custom made for these chairs, and hold ...

The famous model "S chair", an iconic and unique design by Marzio Cecchi for Studio Most in Italy, circa early 1970s. Made of wicker rope, the graceful and sculptural "S" form is sup...

Set off four French 1960s enameled metal rod in red, woven hemp rope in original condition.

Wicker chair designed by Lio Carminati for Vittorio Bonacina, 1950. Carminati was a student of Gio Ponti. Ponti and Carminati originally designed t...

Red low seat Italian chair in suede and black metal frame 1970s. Completely restored red suede Italian chairs, frame painted in black and reupholstered in Italy.  

Primitive wooden craved tripod chair. A beautiful brutalist object with a fine patina. Hand-crafted in the early 20th century. Made from solid wood and historically used as a birthin...

Introducing the Exquisite Brutalist Spanish Sculptural midcentury Tripod Chair from 1950 Looking to add a touch of unique sophistication to your int...

Interesting Brutalist wood tripod chair from Spain. Notched holes in head rest and both arms. Historically used as a birthing chair. Great piece of functional sculpture. Good conditi...

A pair of interesting brutalist wood tripod chairs from Spain, with a trefoil motif adorning all the chair handles. The trefoil is a frequently occurring emblem in the architectural ...

Beautiful designed tripod chair or stool that used to be often placed in a corner. Looks very good in a brutalist, minimalist interior where it is...

Koncz Vilmos (1932 – 2006). He started painting at the age of 30, using the following techniques: charcoal, pastel, oil. He has had solo exhibitions eight times in Budapest, and his works have been featured in seventeen group exhibitions worldwide. He was an experimental creator. Its more than 420 works include glass mosaics, terracotta, copper embossing and furniture carving. After his death, most of his oeuvre was “lost”. A decade and a half passed from painting to the first carvings. Middle Eastern and African culture had a major impact on his further artistic work. Traveled and created in Baghdad, Kuwait, Beirut and Tanzania. He became acquainted with the ancient folk art of the Makonde tribe, with carvings of ebony and ivory, which changed his creative career. When he made an authentic bracelet out of ivory, decorated with African motifs, the members of the tribe welcomed him among themselves. He became the tribe’s "Mister Vili." An exhibition of his painted paintings was held at the Kilimanjaro Hotel. He learned the machining of copper from the Arabs and the making of glass mosaics, and the tricks of jewelry making from the Hindus. He had forty large sculptures erected in various settlements of Hungary, mostly multi-field, made with a circular carving technique. Everything from ornaments on the table to the three-meter-high monument was found in his oeuvre. The Tiszakürt Arboretum also houses two wooden sculptures made of circular carvings: Tasso and the Tanzanian family tree. Donated works of his hometown: the 1956 headboard, the “Jászok” and “Kunok” (Old Hungarian Tribes), the “Flute”, the “Kolompolás” (Ringing the Bell) and the “Winged Altar”. In the 1980s, he also made carvings for the Budapest Zoo and Botanical Garden. His Ars Poetic was: “I do what I love, which drives from within, because I want to leave marks behind that I once existed and perhaps not uselessly” (2002). The term "Brutalist" originated from Le Corbusier’s Cité...