The Cord Connection Chair by Atelier Ruben Van Megen

Serpent chair by Michael Gittings Dimensions: D 60 x W 60 x H 100 cm. Materials: Stainless steel. Michael Gittings Michael Gittings imagines with h...

Non Hunting Time Chair by Taras Yoom Limited Edition of 30 Dimensions: D 40 x W 45 x H 60 cm Materials: Wood, metal, felt, PU. Chair «Non hunting time» consists of a wooden base wit...

Rymd Chair by Lucas Tyra Morten 2023 Limited Edition of 29 Dimensions: W 55 x D 53 x H 110 cm Material: Fiberglass, Tin, Leather Occupying the limi...

Vertigo V Sculptural Chair by Pol Quadens Unique Piece. Dimensions: D 60 x W 120 x H 400 cm. Materials: Polished stainless steel. Pol Quadens was born in Brussels. His father was active in the fields of composites the metal industry, and the world of materials, therefore, surrounded Pol since his early childhood. After his artistic studies, he starts restoring vintage cars. This experience has allowed him to gain strong practical skills and a deep knowledge of all materials. In 1987, he made his first creations and production of objects. His sensitivity and passion for the arts led him to create functional artworks. His CD shelf...

A vintage sculptural iron chair in the style of Andre Dubreuil. Very comfortable if one chooses to sit or you may choose to admire this chair as an entryway or hallway sculpture .

An arresting study of balance and tension, this sculptural chair defies the boundaries of conventional seating. With its woven rattan surface and sinuous iron frame, it evokes both organic fluidity and geometric precision, standing as an artifact of experimental postmodern design. Of Italian provenance and dating to the 1960s, the chair reflects postmodern and Brutalist influences. The interplay of handwoven rattan and blackened iron creates a striking contrast, each material imbued with an inherent honesty that deepens over time. The chair’s composition is a dialogue between weight and weightlessness, structure and softness. The finely woven rattan, marked by the passage of time, bears subtle tonal shifts and a patina that speaks to its authenticity. The iron frame—minimal yet expressive—outlines the form with architectural clarity, emphasizing negative space and sculptural intent. Aged imperfections, from the gentle fraying of the rattan to the darkening of the iron, enrich its character rather than diminish it. Time has bestowed a quiet grandeur upon this piece. Its softened edges, textured patina, and minor surface irregularities serve as testaments to its authenticity, each mark a remnant of its lived history. The structure remains sound, preserving the chair’s distinctive silhouette and presence. At once functional and artistic, this chair offers a commanding yet understated presence within interiors that embrace sculptural furniture, material honesty, and conceptual design. Ideal for settings that honor Brutalist minimalism...

The Cord Chair by Jacques Guillon was designed and produced in 1953. It consists of three U-shaped maple wood parts, with a seat and backrest made of nylon cords. Lightness, simplici...

The Descending Chair emerges as a sculptural work, embodying an exploration of the relationship between the celestial and the terrestrial. Rooted in the concept of descent as a bridg...