Danish Leather and Suede Chair by Thams Kvalitet

Modern Artisan-made take on the Steltman Chair by Gerrit Rietveldc. This chair is designed with varying wood grains and finish. Chair is extremely sturdy and well-made. Features popu...

Patchwork leather de sede beanbag/decorative pouf in original condition. A very stylist addition in a variety of design styles. Super comfortable for sitting and visually appealing. ...

traditional armchair comprised of wood, rush, two available. In excellent vintage condition with age-consistent wear and patina. One chair does have slightly more patina. Lightweight...

Danish modern pine side board in excellent vintage condition with age-consistent wear. Features three pullout drawers with three doors/two lower compartments with shelves.

This stunning pair of chairs was designed by famed Danish designer Georg Otto Thams. Known for his eye for flair and whimsical forms, these chairs are no exception. The sculptural fr...

Thams lounge chair in good condition. The seat and back cushions are made of genuine leather, are in perfect condition and have a very beautiful patina. The back and sides, as well a...

This elegant pair of Danish modern side chairs features frames of solid rosewood with canted back rests and leather-upholstered seats.

Elegant massive rosewood and black leather chairs by female designer Grete Jalk. Produced in the 6à's by cabinetmaker Poul Jeppessens. We have 8 chairs available and a table. 4 more chairs with leather on the backrest so 12 chairs in total. Please ask for more pictures. _____________________________________________________________ Grete Juel Jalk est née à Copenhague. Après avoir été diplômée de l'école secondaire, section langues et philosophie, elle a étudié à l'École de design pour femmes (de 1940 à 1943) avec l’ ébéniste Karen Margrethe Conradsen. Elle a terminé ses études à la Danish Design School en 1946, et a également suivi un enseignement avec Kaare Klint à l'Académie royale des beaux-arts du Danemark. Elle a pris part aux compétitions annuelles du Musée du Design et du département mobilier de la Design School, où elle a également enseigné de 1950 à 1960. En 1953, Jalk ouvre son propre studio de design. Inspirée par le mobilier stratifié, courbé, contreplaqué de Alvar Aalto et les créations en contreplaqué moulé de Charles Eames, elle commence à développer ses propres modèles tout en courbes. L’intérêt pour ces modèles non conventionnels a progressé lentement. En 1963, le journal anglais The Daily Mirror...