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Donghoon Shon Contemporary Dining Chair from the BSP Series Green Grey, 2021

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Zhou Yilun Contemporary Black Chair from the Series "Animal Chairs" China, 2021
By Zhou Yilun
Located in Barcelona, ES
Zhou Yilun Contemporary Chinese chair From the series "Animal chairs" Manufactured by R3PM3 Hangzhou (China), 2021 High density foam, PU coating Mesurements 80 cm x 50 cm x ...
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21st Century and Contemporary Chinese Chairs

Materials

Acrylic, Foam

Zhou Yilun Contemporary Blue Animal Chair from the Series "Animal Chairs", 2021
By Zhou Yilun
Located in Barcelona, ES
Zhou Yilun Contemporary blue chair Chinese Contemporary design From the series "Animal chairs" Manufactured by R3PM3 Hangzhou (China), 2021 High density foam, PU coating M...
Category

21st Century and Contemporary Chinese Chairs

Materials

Acrylic, Foam

Lukas Saint-Joigny, Chair, Blue/Grey, 2020, from the Ore Series, Contemporary
By Lukas Saint-Joigy
Located in Barcelona, ES
Lukas Saint-Joigny Chair From the “Ore” series Manufactured by Lukas Saint-Joigny Produced in exclusive for SIDE GALLERY Paris, 2019 Various materials and polyurethane Measu...
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21st Century and Contemporary French Chairs

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Zhou Yilun Contemporary Chinese Design Chair from the Series "Animal chairs"
By Zhou Yilun
Located in Barcelona, ES
Zhou Yilun Chair from the series "Animal Chairs" Contemporary Chinese chair Manufactured by R3PM3 Hangzhou (China), 2021 High density foam, PU coating Measurements: 60 cm x 60 cm x 100 H cm 23.62 in x 23.62 in x 39.37 H in Edition Unique piece Zhou Yilun (b. 1983, Hangzhou, China) lives and works in Hangzhou. Zhou graduated in 2006 from the oil painting department at China Academy of Art. His works are formed from a bricolage of identity, as he lifts and distorts techniques inherited from the Renaissance, Baroque, and Romantic eras—revisiting, perverting, and parodying their ideas for the new globalist regime. He has recently exhibited at the KWM artcenter in Beijing, China (2018), appearing in The Post Southern Song Dynasty...
Category

21st Century and Contemporary Chinese Chairs

Materials

Acrylic, Foam

Zhou Yilun Contemporary Yellow Chair Model "Animal Practice Chair", China, 2021
By Zhou Yilun
Located in Barcelona, ES
Zhou Yilun "Animal Chair" Contemporary Chinese design chair From the series "Animal chairs" Manufactured by R3PM3 Hangzhou (China), 2020 High density foam, PU coating Measurements: 80 cm x 70 cm x 100 H cm 31.5 in x 27.5 in x 39.37 H in Edition Unique piece Zhou Yilun (b. 1983, Hangzhou, China) lives and works in Hangzhou. Zhou graduated in 2006 from the oil painting department at China Academy of Art. His works are formed from a bricolage of identity, as he lifts and distorts techniques inherited from the Renaissance, Baroque, and Romantic eras—revisiting, perverting, and parodying their ideas for the new globalist regime. He has recently exhibited at the KWM artcenter in Beijing, China (2018), appearing in The Post Southern Song Dynasty...
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21st Century and Contemporary Chinese Chairs

Materials

Acrylic, Foam

Oliver Sundqvist and Frederik Nystrup Larsen Contemporary Colorful Chair, 2021
By Oliver Sundqvist and Frederik Nystrup Larsen
Located in Barcelona, ES
Chair model "Private Parking" From the "Kiki Beach Club" series Contemporary Design Manufactured by Oliver Sundqvist and Frederik Nystrup Larsen Copenhagen (Denmark), 2021 Fiber glass, acrylic, lacquer Measurements: 70 cm x 45 cm x 71 H cm 27.55 in × 17.71 in × 27.95 H in Edition Unique piece The creative duo of Frederik Nystrup-Larsen (b.1992 Copenhagen) and Oliver Sundqvist (b.1991 Copenhagen) has proven to be a partnership that continuously questions the current state of contemporary art. Working on the boundary of art and design, the pair have reinterpreted the processes of consumerism, illustrating critique on overconsumption and poor manufacturing. Intellectually and physically dependent on regular variation and change'Mater’, (meaning mother in Latin), the first collective project between Oliver and Frederik, was a vase originally created as a Christmas present for their mother. The vase was used for the interiors of Norma, a Copenhagen restaurant that is often referred to as the best restaurant in the world. Since ‘Mater’, the duo have continued focusing on creating unique and collectible objects, with a central focus on longevity. The pair seek to ignite a feeling of responsibility in people, through the creations of thoughtful and sustainable pieces. A lot of their work questions the surrounding world, inspired by characters who challenge established understandings of and structures within this world, the duo look towards multiple disciplines to fuel their creativity. Equally as original as their final products, is their method. Triggered by beauty and decay, their creative process is split into phases, - initially, they spend a lot of time reflecting, not stressing about it. Being slow, taking actions that do not related to the project or practice. The following phase; the physical execution of the idea, is built on intuition and (often an unhealthy) tempo. Stress is welcome as we work like machines, brains left aside. The designers split their time between Copenhagen and London and have exhibited at Art Basel, as well as at two solo shows before they had even finished school. The pair are currently working as NIKO JUNE...
Category

21st Century and Contemporary European Chairs

Materials

Acrylic, Fiberglass

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Gaetano Pesce The Faces Chair from Nobody's Perfect series by Zerodisegno 2005
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The Faces chair from the Nobody's Perfect series is in resin with plastic pegs, designed by Gaetano Pesce and produced by Zerodisegno 2005. With the manufacturer's brand stamped on the back-side. Gaetano Pesce is a prominent contemporary Italian designer and architect known for his bold experimentation with materials and color. Throughout his career, he has collaborated with some of Italy's leading design companies, including Artemide, Vitra, Cassina, and B&B Italia. Born in 1939 in La Spezia, near Genoa, Pesce enrolled at the University of Venice in 1959 to study architecture and graduated in 1965. During the final years of his studies, he also participated in courses at the Venice College of Industrial Design, where he was influenced by distinguished faculty members like Ernesto Nathan Rogers and Mario Bellini. Encouraged by their teachings to embrace innovation in modern design, Pesce became involved with an avant-garde architectural collective called “Gruppo N,” which drew inspiration from the streamlined aesthetics of the Bauhaus. These diverse inspirations equipped Pesce to embrace contemporary materials and explore the forms they enabled. His designs range from small decorative objects to large architectural spaces and reflect deep contemplation of the modern era. Notable works include his iconic La Mamma...
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