Aluminum Chairs

Modern Italian white plastic chair with rounded seat and back, Mod." 4875" by Carlo Bartoli for Kartell, 1970s. The circular chair legs are ...

Set of 3 transparent Lucite Eros swivel chairs designed by Philippe Starck for Kartell and made in Italy. The seat is made out of acrylic and the base is aluminum. Marked at the se...

Originally designed by Philippe Starck for Kartell in 1999 the Eros chair is inspired by the 1960s but has quickly become a modern design Classic. It features the pure compositional structure that epitomizes the fluid design style of Philippe Starck. with an organic shape, the oval seat is constructed from glossy bright red polycarbonate that sits on a polished aluminum swivel tulip base...

Originally designed by Philippe Starck for Kartell in 1999 the Ero/S chair is inspired by the 1960s but has quickly become a modern design Classic. With an organic shape, the oval...

Pair of iconic Dr Glob chairs. Post modern design rendered in black molded propylene with a grey powder coated steel frame back and legs. Designed by Philippe Starck for Kartell, 1990.

Chair "empty" by Ron Arad for Driade, 1993 aluminum, molded plywood

This is a chair born of Classic lines with a rounded backrest that recalls the shape of antique medallions, whilst the seat is linear and geometric. Victoria ghost...

This is a chair born of Classic lines with a rounded backrest that recalls the shape of antique medallions, whilst the seat is linear and geometric. Victoria ghost...

Originally designed by Italian architect Piero Lissoni for Kartell in the 1990s, the Form chair is a fantastic example of the 90s minimalist design aest...

Italian modern brown plastic chair 4875 by Carlo Bartoli for Kartell, 1970s Chair mod. 4875 with rounded seat and back, in brown plastic. The round section chair legs are removable. ...

A continuous flow of curving lines, an image-form drawn without ever lifting the pencil off the paper. Originally a ‘doughnut’ which provided inspiration for a sculpture: squashed, and reworked, using irony to go beyond the usual approach to industrial design. Then the piece itself: the padding and sewn-to-measure upholstery over an inner fibreglass frame reveal the interaction between the technical and expressive merits of the design. Its never-ending lines are sensitive but strong, perfect consonance between surface and form, body and skin. The leather reaches out into the space around it magnifying and reinforcing the materiality of the piece yet without interrupting or overpowering its fluidity. Made it Italy by Moroso designed by Ron Arad (Albert and Victoria...

Originally designed by Giancarlo Piretti for Catelli in 1967, the Plia chair was introduced at the Fiera del Mobile in Milan and since then has become ...