Animal Skin Chairs

Set of four Louis XV style brown pressed leather carved side chairs having cabriole legs leading to an ornate carved form apron supporting high back re...

An attractive & very comfortable pair of giltwood fauteuils, both frames showing arched crest-rails with upholstered backs, sided by padded armrests ter...

The construction of this pair of chairs was deeply cared about, and it shows in the finished product, even some eight decades later. The chairs were made and stamped by French firm M...

Antique French Louis XV Style chair. painted in a french oyster grey with subtle distress edges, finished with an antique glazed patina. Upholstered seat and back in a beautiful prin...

Antique hand carved Louis XII highback armchair, late 19th century. New upholstery.

This hand-carved and blackened reclaimed oak chair, designed by Rooms Studio (from their 2018 Wild Minimalism collection), is inspired by the legacy of traditional Georgian craftsmanship. The Sculptural Chair is meticulously handcrafted of ancient wood, and features a diamond shape cut-out on the top rail, which is curved gently, cradling the back, with a round seat and circular cross stretcher. About the Design Studio: Works of Rooms Studio refers to the sculptural forms and abundant materials in juxtaposition with the feminine instincts. Born and raised in Tbilisi, Georgia, the duo behind the Rooms, Nata Janberidze and Keti Toloraia, lean towards preserving the inherited craftsmanship techniques unique to the region. Massive wood and stone objects are hand-crafted using traditional techniques to create raw and symbolic forms often rooted in the designers' childhood memories. Growing up in a culturally diverse environment, where the two worlds - Western and Eastern collide, remarkably influenced their design language. Over the years, Rooms has created eight independent collections and collaborations equally memorable and representative of the duo's perpetual mission to bring life to omitted elements of a former life. Through their series of works, Janberidze and Toloraia try to examine the boundaries between the public and private. Experiencing adolescent years in the 90s - a significant decade of cultural and societal shifts - their work is a narrative of personal experiences of womanhood. By contrasting the new feminine monumental shapes with architectural brutality, Rooms challenges the status quo and also bridges the conventional and contemporary design with a confluence of female energy. The work of Rooms Studio has concerned itself with questions of nomenclature since the Tbilisi-based design atelier was co-founded by Nata Janberidze and Keti Toloraia in 2007. Take, for instance, the studio’s name: in adopting the basic unit of interior space as the title of their practice, Janberidze and Toloraia also emphasized the emotional force of interiority and inner life in determining their creative output. The studio’s largest U.S. exhibition to date, "Distant Symphony," expands upon this impulse to focus inward. The title is again a chief concern—some of the objects included here were designed during the global pandemic, under a regime of forced isolation that made the studio’s typically collective work process untenable. The pieces shown here are the results of Rooms’ search for a way forward. The first room, an antechamber of sorts, evokes the intimate quality of a private home. Shown here are trinkets and personal effects chosen by Janberidze and Toloraia for their emotive qualities; a low background noise emphasizes the climate of urban domesticity. The ensuing gallery space features highlights of Rooms’ recent design output. Here, the subtle scent of organic materials provides a sensory indication of the atelier’s interest in dichotomies: natural and man-made, personal and collective, local and cosmopolitan.   In light of the global circumstances, Janberidze and Toloraia felt it was especially important to pursue collaborative work. Rooms invited three artists—Shotiko Aptsiauri, Salome Chigalashvili and Mariana Chkonia—to conduct a dialogue and shared design process. As such, this exhibition is a kind of polyphonic meditation on a need for solitude and desire for companionship. The practice of polyphonic singing, essential to Georgian folk culture, is reinterpreted here as a design endeavor. Chigilashvili, working with unprocessed yarn, interpreted folk motifs by adapting embroidery to the scale of furniture with expansive stitches applied to painted boards...

Elegant Louis XV style armchair from the 1950s. Upholstered in embossed velvet in shades of brown, green and blue. It has a curved base and armrests sculpted with scrolls. Very pretty, very decorative Louis XV style armchair. Comfortable. This armchair perfectly represents the Louis XV style and its colorful upholstery in good condition makes it an element of modern decoration, which fits into any interior. The wood is painted in off-white. France mid 20th century The Louis XIV style is a furnishing style covering more or less the period of the reign of Louis XIV (1661 to 1715). This style is characterized by the majesty and richness of its furnishings. The Louis XIV style follows the Louis XIII style. The furniture is increasingly luxurious, but unlike previous styles, it is almost no longer inspired by architecture. There are two kinds of furniture: ceremonial furniture richly decorated with veneers and inlays (especially with André-Charles Boulle), solid giltwood and bourgeois furniture in solid wood. The style is characterized above all by its absolute symmetry and an important and ostentatious Dimension. The Louis XIV style is of Italian and ancient inspiration. The style emerged with the advent of the reign of Louis XIV in 1661 and lasted until the end of the 17th century. In 1690, on the death of Lebrun, decorator to the King, the style declined and was gradually replaced by the Regency style. The Palace of Versailles is obviously extremely and lastingly marked by the Louis XIV style. His long reign made it possible to impose the unique style of the Grand Siècle...

These beautiful late 19th-century fauteuils (armchairs) are designed in the style of furniture crafted in France in the Louis XVI period (1774-92). The chairs’ frames are crafted...

18th century pair of French Louis XV carved walnut armchairs The chairs currently have a lightly distressed green linen fabric. Ea...

A pair of French upholstered Louis XV style fauteuils with brass nailhead trim, circa 1940.

Set of 8 French Louis XV style (19th Century) gilt side chairs with cane seats.

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