Midcentury Lacquered Black Ash Wood Chair after Charles Rennie Mackintosh, 1980s

Pair of wonderful midcentury red fabric and black plastic armchairs. These amazing pieces were produced in Italy during the 1980s. These items are extremely elegant and wonderfull...

Marvellous and elegant Italian showcase cabinet from 1970. The excellent quality of dark brown lacquer with glass panels embellished and solid brass is mixed with a lacquered shelf ...

Incredible pair of mid-century chairs in beech. These extraordinary pieces were designed and signed by Figli di Sanguineti and G.B. during the 1950s in Chiavari, Italy. The manufa...

Wonderful Ivan Loss Mid-Century Modern green metal "Ulisse" folding chair. This item was produced in Italy during 1980s. This vintage folding chair is unique as it has a walking s...

Midcentury hexagonal umbrella stands in ice and black Lucite. This stunning item was produced after Willy Rizzo, 1980s This piece has beautiful yet simple lines, with a clear inspiration from Willy Rizzo's design. The Lucite is designed in order to produce a "freezing" ice effect. An incredible object that will enrich a mid-century entrance hall or corridor. Dimensions (cm): Width - 32 Depth - 28 Height - 52 Italian designer and photographer Willy Rizzo (1928-2013) first came to prominence in the 1960s as both a chronicler of and participant in La Dolce Vita, the glamorous, jet set lifestyle enjoyed by many international celebrities and socialites in the postwar era. While photography was Rizzo's first love, in the 1970s he developed a passion for interiors and launched a second successful career as a luxury furniture designer. Rizzo was born in Naples in 1928 but moved to France at an early age. After expressing an interest in photography at the age of 12, Rizzo's mother gifted him an Agfa Box camera; soon he was shooting portraits of his classmates at Paris's Istituto Statale Italiano Leonardo Da Vinci. In the 1940s, Rizzo began his career as a photojournalist, working for several French publications, including Ciné Mondial, Point de Vue, and Image du Monde. In the aftermath of the Second World War, Rizzo notably covered the Nuremberg Trials and traveled to Tunisia for Point de Vue to photograph the conflict in North Africa, which was later published in Life Magazine. As his reputation grew, he was hired by France Dimanche to take portraits of the rich and famous at flashy events like the Cannes Film Festival. Rizzo's charm won the trust of royalty, dignitaries, and movie stars, which allowing him to capture these public figures in unusually candid moments. Hoping to advance his career even further, Rizzo traveled to New York with Black Star Agency in 1947 to photograph American starlets. When he returned to Paris two years later, he was invited to join Jean Prouvost’s newest publication in color, Paris Match, as head photographer—a position that he held for 20 years and, along the way, sparked a new culture of celebrity photographers who were as intriguing and fashionable as their subjects. In 1959, he became the artistic director of Marie Claire and collaborated with other fashion magazines, such as Vogue. Over the course of his career, Rizzo photographed dozens of stars, including Brigitte Bardot, Maria Callas, Salvador Dalí, Marlene Dietrich, Jane Fonda, Gene Kelly, and Gregory Peck, as well as striking up close friendships with famous personalities like Coco Chanel, Christian Dior, and Jack Nicholson. In 1962, Rizzo famously captured some of the last moments of Marilyn Monroe’s life on film before she tragically committed suicide a few weeks later. In 1968, Rizzo married Italian actress Elsa Martinelli, and the pair relocated to Rome. It was here that Rizzo began his work in furniture design, starting with his newly-leased, run-down Roman apartment. Just for personal use (at first), Rizzo created a series one-of-a-kind pieces inspired by modernist icons, such as Mies van der Rohe and Le Corbusier. But as his glitterati friends—Rodolfo Parisi, Gigli Rizzi, Franco Rapetti, Salvador Dalí, Brigitte Bardot, and the like—became admirers of his work, Rizzo was flooded with design commissions. Rizzo went on to furnish apartments for Italian aristocracy in the Palazzo Borghese and Palazzo Ruspoli that same year and quickly earned an international reputation as a designer to the rich and famous. In response to ever-growing demand, he launched his own Tivoli-based company dedicated to contemporary furniture design handmade in lux materials such as wood, marble, stainless steel, brass, and wild boar. Over time, his team of eight grew to 150, and he was able to open shops in France and throughout Europe, as well as in New York, Miami, and Los Angeles. With an emphasis on clean lines and geometric forms, Rizzo's tables, chairs, and accessories combined contemporary shapes with traditional materials—in contrast to many of his contemporaries, like Ettore Sottsass and Vico Magistretti, who were popularizing plastic, foam, and other synthetics in furniture production. Among Rizzo's most successful designs are many low, box-like tables in granite, metal, glass, or burled wood, often embellished with brass or chrome accents or built-in liquor cabinets or trays. Two examples of his most celebrated designs include the Alveo Coffee Table (1970s) for Mario Sabot and the circular Yin Yang Coffee Table...

Amazing Mid-Century Modern wood French tripod stool. This magnificent item was produced in France during the 1950s in the style of Charlotte Perriand. The piece is wonderful b...

Charles Rennie Mackintosh (1868-1928) was a Scottish architect who created a distinctly original design style that was both lyrical and modern. Within his architectural schemes for schools, private homes and restaurants, Mackintosh frequently worked in collaboration with his wife, the artist Margaret Macdonald. Together they invented an aesthetic that blended the organic flow of the Art Nouveau style and the honest simplicity of the English Arts & Crafts movement. This pair of Ingram chairs...

Tall back chair designed by Charles Rennie Mackintosh for Cassina. Chair designed in 1902, and relaunched in 1973. Manufactured by Cassina in Italy. Please confirm location NY or NJ

Armchair model "Willow" designed by Charles Rennie Mackintosh for the "Willow Tea Room" in 1903 in Glasgow. Made of black lacquered ashwood structure and upholstered in leather. In its original configuration, the high, semicircular backrest of this solid wood throne served as a divider between the entrance and the tea room behind it. Complex series of lines and shapes reflect the style of Mackintosh. Charles Rennie Mackintosh (7 June 1868 – 10 December 1928) was a Scottish architect, designer, water colourist and artist. His artistic approach had much in common with European Symbolism. His work, alongside that of his wife Margaret Macdonald...

The Willow chair was originally designed in 1904 by architect Charles R. Macintosh for the Villa Hill House in Helensburgh, Scotland: Production rights were acquired by Cassina durin...

Chair designed by Charles Rennie Mackintosh in 1902. Relaunched in 1973. Manufactured by Cassina in Italy. This iconic chair reflects Charles Rennie Mackintosh’s style and his fearless approach to the most challenging manufacturing processes. Originally a furnishing accessory for one of Mackintosh’s major design projects, Hill House in Helensburgh, near Glasgow, Scotland, from which its name derives. The linear, geometric form is evocative of the minimal, abstract lines of Japanese graphics, which confer symbolic and figurative symbolic value to the piece’s striking visual impact. This piece is seen by many critics as not only a chair but also a veritable treatise on the way space can be articulated. The tall back is defined by a succession of vertical lines that are topped with a grid of verticals and horizontals. Thanks to the mastery of the furnitire makers of Meda, in the Brianza area north of Milan, Cassina has re-issued the Hill House chair...

Chair designed by Charles Rennie Mackintosh in 1902. Relaunched in 1973. Manufactured by Cassina in Italy. This iconic chair reflects Charles Rennie Mackintosh’s style and his fearl...