Pair of Easy Chairs in Chromed Steel and Suede by Introini Vittorio, 1965

Pair of Easy Chairs in Rosewood and Chromium Plated Steel Frame, Seat Cushion and Back Upholstered with Brown Suede by Jens Harald Quistgaard, 1960's Additional Information: Materia...

Pair of Easy Chairs in Aluminium and Leather by Arne Jacobsen, 1970's Additional Information: Material: Aluminium and leather Style: Mid century, Scandinavian Rare pair of easy chai...

Pair of Easy Chairs in Original Leather and Steel by Poul Kjærholm, 1950s Additional Information: Material: Original leather and steel Style: mid-century, Scandinavia Rare pair of...

Pair of Easy Chairs in Aluminium and Leather by Arne Jacobsen, 1970's Additional Information: Material: Aluminium and leather Style: Mid century, Scandinavian Rare pair of easy chai...

Pair of Chrome & Leather Armchairs by Vittorio Introini for Mario Sabot, 1970s, Italy Sold per pair Two pairs available.

Vittorio Introini Pair of chromed metal and leather armchairs, for Saporiti, Italy 1965. Measures: 67.00 x 72.00 x 75.00 cm

Beautiful Mid-Century Modern pair of armchairs in a chrome structure and brown leather seating. Made in Italy in the 1970s.

Modernist lounge chair in tubular chromed steel, camel velvet, Italy, 1970, set of two With their sleek cantilever structure and soft round forms, these modernist lounge chairs encapsulate the radical spirit of 1970s Italian design. The chromed tubular steel frame defines a low-slung silhouette that balances structural clarity with sculptural presence. A continuous loop forms the base and supports both seat and backrest, showcasing an expressive mastery of bent metal—a material language that traces its roots back to the revolutionary designs of Le Corbusier and Charlotte Perriand in the 1930s, such as the iconic LC7 chair for Cassina. The round backrests and wide seats are upholstered in a camel velvet, contributing warmth and tactility to the otherwise minimal composition. The contrast between the industrial frame and the sensual upholstery echoes the experimental ethos of postmodern design, reminiscent of the aesthetic explorations of Giandomenico Belotti or Cini Boeri, whose work often blended technical rigor with emotional appeal. Though the author of this piece remains unidentified, the chairs stand out as emblematic of the avant-garde production of the Italian furniture scene during the late 20th century, when designers sought new formal languages through material innovation and structural boldness. Comparable in spirit to Belotti’s “Spaghetti” chair...