Pair of Wooden Chairs, Lombardy, 17th Century

Large Terracotta relief of the flight into Egypt Lombardy, first half of 17th century Painted terracotta 91 x 85 x 11,5 cm This event in the early life of Christ is recounted i...

Cerberus Black painted stone Italy, 17th century Measures: 80 x 69 x 36cm (one head missing) Cerberus, cruel monster, fierce and strange, Through his wide threefold throat barks as a dog Over the multitude immers'd beneath. His eyes glare crimson, black his unctuous beard, His belly large, and claw'd the hands, with which He tears the spirits, flays them, and their limbs Piecemeal disparts (Dante, Inferno, Canto VI). Cerberus figure seated, in his role of ferocious guardian of the underworld; he shows a nervous musculature, an adherent skin which reveals the ribs, long and robust limbs; his heads are broad and the eyes set well apart. Painted in black to amplify his menacing look, the infernal guardian is depicted with his famous attributes, writhing his heads, growling and barking furiously. Cerberus, in Greek mythology, was the monstrous watchdog of the underworld – also known as the “hound of Hades” – preventing the dead from leaving, and making sure that those who entered never left. A child of Typhon and Echidna, he was part of a monstrous family, which included Orthus, the Lernaean Hydra, and the Chimaera as well. Only on three occasions Cerberus was tricked by visitors of Hades: Heracles did it with his strength, Orpheus with his music. In "The Inferno", Dante places Cerberus as the guardian of the third circle of Hell. With his three mouths, Dante saw Cerberus as a beast that was synonymous with the sin of Gluttony. Virgil gets past the monster by throwing mud in his three mouths, temporarily choking him. Very rare are the representations of Cerberus in ancient statuary...

The Adoration of the Magi. Panel carved in high relief. Flanders, 17th century. Measures: 53 x 32,5 cm.

Marble lion white marble France, probably Périgord, 17th century Small marble lion wearing a coat of arms pendant with the engraved date, ...

Italian Memento Mori skull Marble North of Italy, 17th century H 9 x L 7 x P 14 cm At the turn of the 16th century, they were the height of fashi...

Turned, engraved and openwork box Fruit wood Florence, 17th century Measures: Diameter 11cm Height 4.4cm.  

A fine pair of 17th Century Oak Chairs with shaped cresting rails and front stretches all of good colour and patination. 120cms high 45 wide cm...

Beautiful pair of French walnut chairs from the 17th century, with twisted legs and cushioned seats. The chairback is nicely done and open...

Pair of Lombardian maple and walnut post chairs, 17th century. Richly hand-carved and inlaid in maple and walnut perfect for accent or hall chairs. Design ...

A very handsome pair of 17th century William and Mary side or hall chairs with exquisite carving throughout. Oak with a faded grey that gives these chairs a warm patina.

Beautiful 17th century (1650-1680) Sgabello. The countries where this could originate are located in and around the Alps. So Switzerland, Austria, Southern Germany, and Northern Ita...

During the first half of the seventeenth century chairs evolve towards a new model today known as Louis XIII foreshadowing the armchair. Chairs adopt a widen and lower silhouette. Horizontal lines prevail. Cushions disappear supplanted by horse hair upholstery. This chair stands on four feet linked by an H-shaped spacer and a frontal cross-bar. Legs, spacers, cross-bar and arm-rests are all turned as rosary beads...