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Set of 12 'Del Rey' Dining Chairs, by Jorge Zalszupin, Brazilian Modern

Name: Set of 12 'Del Rey' Dining Chairs, by Jorge Zalszupin, Brazilian Modern
Brand: Jorge Zalszupin
Price: 2900 USD
Availability: InStock

About the Item

Jorge Zalszupin, a name that resonates profoundly within the world of Brazilian modernist design, has a legacy that extends beyond just beautiful furniture. Born in Poland, Zalszupin found his true calling in the vibrant landscapes and culture of Brazil, where he seamlessly wove European design principles with Brazilian sensibilities. With these dining chairs, one can see the reflection of Zalszupin's design ethos — an impeccable marriage of form and function, sophistication and simplicity. The structure of the chairs, made of rich hardwood, possibly jacarandá rosewood, showcases his penchant for materials that speak of both durability and elegance. The wood, with its polished surface and subtle grain, seems to whisper tales of Brazilian forests, a nod to the nation that Zalszupin so deeply adored. The seating, upholstered in a vibrant mustard-yellow fabric, is a testament to Zalszupin's fearless embrace of color and texture. Each weave, each thread resonates with his philosophy of combining comfort with visual allure. And it's this very audacity to juxtapose vibrant upholstery with muted wooden tones that brings the chairs to life, echoing the lively spirit of Brazilian culture. When viewed as a collective set, these chairs aren't just pieces of furniture; they are a symphony composed by Zalszupin. A symphony that harmoniously blends European minimalism with Brazilian warmth, creating an ensemble that's both timeless and compelling. In essence, these dining chairs, an embodiment of Jorge Zalszupin's visionary design, encapsulate the art of blending aesthetics with function. For those who have an appreciation for stories told through design, these chairs offer a narrative of passion, heritage, and unparalleled craftsmanship.

Creator:

Jorge Zalszupin (Designer)

Dimensions:

Height: 29.93 in (76 cm)Width: 18.12 in (46 cm)Depth: 18.12 in (46 cm)

Style:

Mid-Century Modern (Of the Period)

Materials and Techniques:

Fabric,Wood

Place of Origin:

Brazil

Period:

Mid-20th Century

Date of Manufacture:

1960's

Condition:

Refinished. Reupholstered.

Seller Location:

Sao Paulo, BR

Reference Number:

Seller: 68731stDibs: LU3173336647772

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Shop All Jorge Zalszupin

Jorge Zalszupin

Just as emigrant Europeans — from Kem Weber and Paul Frankl to Marcel Breuer and Ludwig Mies van der Rohe — helped establish modernist design and architecture in the United States, so too did many of their peers foster the new design aesthetic in Brazil in the middle decades of the 20th century. Along with architect Lina Bo Bardi (from Italy) and Joaquim Tenreiro (from Portugal) — both of whom helped popularize Brazilian modern design and influenced today's generation of Brazilian designers — there was Jorge Zalszupin, who arrived from Poland in 1949 and created consistently sleek and elegant chairs, tables and case pieces using the South American country’s vibrantly grained tropical hardwoods.

Zalszupin was born in Warsaw (his given first name is Jerzy) and went on to study architecture at the École des Beaux Arts in Bucharest, Romania, graduating in 1945. Zalszupin moved to Paris but found few opportunities in the postwar City of Light. He was impressed by articles on the work of Brazilian architect Oscar Niemeyer that he saw in the André Bloc–edited magazine L’Architecture d’Aujourd’hui (Architecture Today). And after sailing to South America, Zalszupin went to work with his fellow Pole and architect Luciano Korngold in São Paulo. Zalszupin began designing furniture as part of his architectural commissions and created several pieces for Niemeyer for use in the new capital city, Brasília. He opened his own design and manufacturing firm, L’Atelier, in 1959.

While Zalszupin cannot be said to have had a signature style, his furniture designs all share a characteristic simplicity and purity of line and form. His work is often compared to that of Danish designers, most especially in their shared commitment to quality construction. He was a master of many materials: travertine marble for tabletops, slung leather for seating, man-made fabrics for upholstery and — his forte — highly figured woods such as jacaranda and rosewood. The latter plays prominently in two of Zalszupin’s best-known lounge chairs: the Brasiliana, with its austere, angular wood frame, and the Presidencial, with its curved seating shell and slatted backrest. Both chairs feature deep cushions and generous proportions in deference to the Brazilian proclivity for long and languid conversations. Yet both pieces — like all Zalszupin designs — possess a striking, tailored grace that would be perfect in any environment.

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