St.Pauls Cathedral Church Pew 6-Seat

This beautiful hand-carved mahogany three seat pew has the authentic cushions from an Italian Cathedral much like that in the Vatican. With Intracate scrollwork, and bishop fetishes...

A 1960s souvenir building architectural model. Some wear with a nice patina, but this is old-age. Made of metal. A beautiful nice desktop item or just a display item in your collecti...

English Medieval Extremely Rare Church Pew Animal Carvings Pair of extraordinary animal carvings from the 15th century. A cat playing with a mouse and a dog with a bat wing in its p...

Antique Gothic Church Benches, Late 1800s - Set of 4 Pine Wood Pew Benches Discover the timeless elegance of these late 19th-century Gothic church benc...

A 1960s souvenir building architectural model Ashtray. Some wear with a nice patina, but this is old-age. Made of metal. A beautiful nice desktop item or just a display item in your ...

Antique print London titled 'Londres, capitale de l'Angleterre'. Antique print of London with St. Paul's Cathedral (before the fire) in the...

Unique and impressive, Gothic style chairs with an amazing patina. These rare and solid oak church or monastery chairs have a beautiful patination ...

Unique, top quality hand carved and highly decorative antique set of 3, 19th Century curule armchairs in red velvet – Renaissance Revival Elegance. This elegant set of three matchin...

This pilot's or passenger's seat from a circa 1920s airplane is an excellent example of early 20th century industrial design. The frame is made from rod iron, and the seat and back are woven rush. The rear of the seat back has a cleverly integrated map pocket of the same woven material. The legs bend at the bottom to form feet, which have holes to allow them to be secured to the floor of the aircraft. The design is an elegant and functional solution to the specific needs of light weight plus strength. We purchased this piece from the estate of a collector of aviation related items. It was only identified as an airplane chair...

A stunning pair of very fine quality French Neo-Gothic gilt metal church reliquaries. circa 1860s Most impressive objets d’art, born in France in the second half of the 19th century, most likely Parisian gilded bronze and brass ormolu work, exceptionally executed sculptural form, the exquisitely detailed architectural cathedral shaped case having a removable pointed steeple roof with cross finial, opening to relic display case surrounded on all sides by original glazed glass panes, stepped base, rising on disc feet. Signed, stamped by maker / bronzier "BC" (unknown) model "5096" and other faint marks to lid interiors. Additional photos available upon request Dimensions: (approx) 14.75" High, 6.75" Wide, 6.75" Deep; 13.25 lbs total History: A reliquary (also referred to as a shrine, by the French term châsse or monstrance) is a container for important religious relics. The earliest reliquaries were essentially boxes, either simply box-shaped or based on an architectural design, taking the form of a model of a church with a pitched roof. These latter are known by the French term chasse, and typical examples from the 12th to 14th century have wooden frameworks with gilt-copper plaques nailed on, decorated in champlevé enamel. Limoges was the largest production centre; NB the English usage differs from that of the French châsse, which denotes large size rather than shape. Relics of the True Cross became very popular from the 9th century onward and were housed in magnificent gold and silver cross-shaped reliquaries decorated with enamels and precious stones. From about the end of the 10th century, reliquaries in the shape of the relics they housed also became popular; hence, for instance, the skull of Pope Alexander I was housed in a head-shaped reliquary. Similarly, the bones of saints were often housed in reliquaries that recalled the shape of the original body part, such as an arm or a foot. A philatory is a transparent reliquary designed to contain and exhibit the bones and relics of saints. This style of reliquary has a viewing portal to view the relic inside. The feretrum was a medieval form of reliquary or shrine containing the sacred effigies and relics of a saint. During the later Middle Ages, the monstrance form, primarily used for consecrated hosts, was sometimes used for reliquaries. These housed the relic in a rock crystal, or glass capsule mounted on a column above a base, enabling the relic to be displayed to the faithful. Reliquaries in the form of large pieces of metalwork jewellery also appeared around this time, housing tiny relics such as pieces of the Holy Thorn, notably the Holy Thorn Reliquary now in the British Museum. Condition: Superb museum quality examples, in excellent original unrestored antique condition with beautifully aged patina. Wear consistent with age and use. Heavily patinated - scattered oxidation. Overall wonderful examples. Typically reliquaries were not sold in pairs, so to find a matching pair such as this is exceptionally rare. Worldwide shipping available Local pickup available near Dallas, Texas Additional: We here at Lynx Hollow Antiques love religious antiques, from Christian tabernacles, Catholic altarpiece, life-size Buddhist temple sculptures, Hindu votive offerings, 16th century Islamic mosque architectural salvaged windows...