Biedermeier Chaise Longue, Ash, Germany, circa 1820

Large organically shaped Tokyo Pop lounger designed by Tokujin Yoshioka for Driade in the early 2000s. The large lounger is made of off-white plastic.

Biedermeier bookcase with two doors with three-quarter glazing and a flat profiled cornice. The cabinet stands on square feet and is veneered in mahogany. The interior is fitted with...

Elegant Biedermeier table featuring four gracefully curved legs and a small drawer. The surface is walnut-veneered, with ebonized edges that create a refined contrast. The table has ...

Large recamiere with light gray cover and walnut veneered frame. The straight frame is accentuated with horizontal profile strips and rests on baluster feet. The recamiere has an ele...

A true pair of Regency Chaise Longues. Mirror opposites. Dark Mahogany with Gilt mounts. English. Circa 1820 Prov; The Dropmore Park Estate, Berkshire. former home to Lord Willia...

Feho Germany, foldable chaise lounge, stained solid beech, metal, Germany, 1930s A rare-to-find foldable chaise lounge from the 1930s. Adjustabl...

Black ash chaise longue sculpted by Lupo Horiokami Dimensions: D 80 x W 250 x H 72 cm Materials: Black ashwood “The artwork [...] arises when the mind is willing to accept reality as it was the first time it meets it” (“aesthetics of the void”, g. pasqualotto, marsilio). And if the futurists no longer wanted to have any relationship with the past but to concentrate on the dynamic present, lupo horiokami, with his art, seems to want to focus on the theme of continuous impermanence. East and west in comparison, in a synthesis where space (emptiness) and time (inconsistent) are the masters, where relativity and emptiness (“mu” in zen buddhism) merge with heidegger’s planning of “dasein”. Lupo’s emancipation naturally translates into space. Empty space, in the most eastern sense of the term, devoid of mental conditionings (“mushin” in japanese), a preliminary presupposition for manifesting, producing, originating from “nothing”. Empty space to accentuate the innate temporary beauty of things: from the traditional japanese tattoo...

1950s chaise longue, mix of leather, sky and pony hair upholstery.