Important chaise longue with system, by Bernard de Swarte, France, 1959

Important brass and glass “sputnik” chandelier. A brass sphere supports numerous brass spokes on which hang a multitude of small flowers in transparent Murano glass. The suspension r...

Rare and important stand in the shape of a column, LXVI style, in copper-plated and patinated metal. Decor of asparagus, scrolls, grooves etc. It can support a very heavy object...

Lamp consisting of a large block of pyrite fixed on a bent, polished steel base. Recent cotton lampshade, redone to match the original. Overall height: 69 cm (27.16 inches) Base heig...

Large lamp consisting of a large block of Pyrite on a folded and polished steel base, by Claude de Musac, Paris. Original lampshade. Height: 89 cm (35 inches) Diameter: 40 cm (15.8 inches) Dimension without lampshade: Height: 53 cm (20.1 inches), Width: 15 cm (6 inches), Depth: 21,5 cm (8.5 inches). Biography Claude de Musac (1935-2022) was a highly talented decorator and artist. With subtlety, precision and daring, Claude de Muzac set out from her beginnings around 1960 to showcase the rarest and strangest objects, from dog bones to paintings by her contemporaries, in surprising, precious and poor materials, Plexiglas, enamel and scales, art objects that had suffered or no longer suffered the velvet and gilding of an overly 19th-century frame. After studying drawing at Paul Colin’s studio and working as a window dresser, she was hired by Daniel Cordier, with whom she trained in the presentation of artworks. She soon opened her own boutique where she offered frames of constant inventiveness, playing with contrasting materials and matching colors. Her famous clients included Georges Pompidou, Peter O’Toole, André Malraux, Edmond de Rotschild, Man Ray and the list goes on. Some, like Max Ernst, chose the frame and painted for the frame. As for Serge Poliakoff, he came in every day and commissioned frames, and in one of his favorites, which was made of lapis lazuli, he painted a large blue composition. Her customers are often her friends, and her friends become her collaborators, so she surrounds herself with those she loves, inspiring them to create new objects and jewelry that she presents in her Grotte-galerie. The unclassifiable intuition that makes Claude de Muzac’s work so beautiful is certainly this quality of entourage. Shadows become frames, pedestals become faces, and the other is each time for her a new form of inspiration, of rapprochement or opposition, of respect and passion. Source: « Claude de Musac », la Galerie...

System 1-2-3 chaise longue designed by Verner Panton, manufacturer Fritz Hansen 1973-1974. This Serial production model seat in S-shape, was designed in cantilever form and consists ...

1950s chaise longue, mix of leather, sky and pony hair upholstery.

Chaise Longue from a Villa in the South of France, done by Maison Jansen in 1940's. Probably done by Matégot for Maison Jansen. Circa, 1940

Early 20th Century French chaise longue daybed/ meridian in the second empire style. Scroll out arms with silk tassles and a matching fringed skirting, immaculate brocade embroidery ...