1960s Corner Chairs

This oaken “Petit Repos” chair deserves its title of iconic. Both in terms of quality and design, this model represents why Votre Maison, the French duo Guillerme et Chambron’s compa...

Mid-Century Modern black bast chiavari dining chairs, Italy 1960s. This set of 8 wooden dining chairs was designed and produced by Italian fu...

Beautiful set of six Italian chairs in walnut wood, model "Campanino" by Fratelli Levaggi from the early 1950s, in Chiavari. These chairs were originally designed in 1807 by Giuseppe...

This minimalist Velo armchair with a shaped seat and back, features a simple and streamlined design, with geometric shapes and curved seating with a sof...

Canvas safari easy chair by Kaare Klint for Rud Rasmussen with loose cushion.

Mid-Century Modern black bast chiavari dining chairs, Italy 1960s. This set of 8 wooden dining chairs was designed and produced by Italian fu...

We are very pleased to offer a Mid-Century Modern, gorgeous pair of lounge chairs by Jens Risom, circa the 1960s. This fabulous set has been newly upholstered in a zebra stripe velve...

Iconic French Guillerme & Chambron 1960s design pair of armchairs made in solid oak structure and newly reupholstered with a high quality Pierre Frey Bouclé fabric.

Lovely pair ‘Safari’ model 4700 easy chairs by Kaare Klint for Rud Rasmussen, Denmark 1950s. This set features a frame made out of stained oak with leather straps. Frame in oak with ...

Iconic original safari chair by professor Kaare Klint. Designed 1927. This version dates to the 1960s and is executed in solid ash. Nice patina to the wood, and left unrestored. The ...

Kaare Klint 'Red Chair' in Cuban mahogany, Niger leather and brass nails. Executed by Rud. Rasmussen 1936-1940. Underside with manufacturer's paper label RUD. RASMUSSENS/SNEDKERIER/...

Available now, this beautiful pair of Brazilian Modern armchairs are made of ebonized Pau Marfim hardwood & white leather in buttone style. The structure is composed of curved arms & feet, and were designed by Joaquim Tenreiro in the 1940’s. The wood joints are composed of delicate wood pins in Pau Marfim also, which were typically used by the artist at the time. Sold as set of two. For the restoration process, both armchairs where dissembled to understand their condition and to restore them following Tenreiro’s technique. This is shown in the last 3 images. The set comes from a private residence in Copacabana, Rio de Janeiro. This mid-century modern pair would look incredible in any modern, mid-century modern, boho chic or contemporary environment. Joaquim Tenreiro (1906–1992) was among the leading furniture designers and visual artists in mid-20th century Brazil. Tenreiro was born in Melo, Gouveia Municipality, Portugal into a family of woodworkers and carpenters. In the late 1920s, he emigrated to Rio de Janeiro and began working for the firm of Laubisch & Hirth. In the early 1940s, Tenreiro was among the first designers in the Brazilian furniture industry to adopt a European modernist vernacular. His initial efforts, including the 1942 "Poltrona Leve," met with considerable success, and in 1943 he established his own firm with factories in Rio de Janeiro and São Paulo. However, it was not until the 1950s that he began to be recognized as a master furniture designer in Brazil. His design philosophy found a great response with architects who supported modernism. A forerunner in the use of rediscovered raw materials (like cane and jacaranda -Brazilian Roswood) as well as the creator of a new formal language in 20th-century Brazilian furniture design, he drew on the lessons of past furniture-making as a vital source, not only in the mastery of technical and constructive solutions but also in the aesthetic experience, craftsmanship, and the cultural meaning of his production. As a result, his exquisitely crafted pieces evoke a refined coexistence of traditional values and modern aesthetics, firmly bound to the Brazilian cultural milieu. Literature: • Arquitetura e Decoracao, no. 12, Jul-Aug 1955 • Tenreiro book...