Carl Malmsten, Swedish Grace 1920's daybed from SMF Bodafors

A large dramatic Scandinavian Modern, Swedish Art Deco sconce with a tiered brass body which holds 5 handcut, polished and acid etched flame s...

An early 1930’s Swedish modernist armchair designed by Axel Larson for S.F.M. Bodafors. Made of stained solid birch, the gracefully carved arms are beautiful as well as functional. T...

Herman Bergman signed, Swedish Art Deco (Swedish Grace) polished brass column lamp. The lamp has been newly re-polished and lacquered, re-wired with a "S" shaped double standard sock...

Pair of SMF Bodafors. made Swedish armchairs in stained solid birch wood. The chairs’ frames are constituted from a variety of gentle arched curves. Fully restored the chairs have be...

Highly decorative 18th century Swedish daybed with original patina.

A white-grey, antique Swedish Gustavian sofa bench, daybed with three large back pillows and two round pillows, made of hand carved Pinewo...

Here is an extraordinarily rare piece with fantastic provenance– this oversize version of Mies van der Rohe’s Barcelona daybed is 16 feet in length and custom fabricated of fiberglass and steel. You would not know that it is fiberglass without touching it. The level of detail and realism is stunning. It’s like an artwork using the principal of transference of material– when an object appears to be made of one expected material, but is really crafted of something totally different, often incongruent with one's expectations. The reason fiberglass was used to make this daybed is that it was created for use in the lobby of Mies van der Rohe’s IBM building at 330 N. Wabash in Chicago. Mies often specified that the public spaces in the buildings he designed be furnished with tables and seating also of his design. In the 1990s the owner of the IBM building hired Chicago designer Judy Niedermaier to decorate the public spaces. Having seen ordinary Barcelona chairs and sofas suffer the abuse of high-traffic spaces see with hundreds of people using them on a daily basis, she opted to something different that would hold up under extreme wear. Interestingly, this was not the first time Niedermaier employed fiberglass in her design work, nor would it be her last. Her firm had used fiberglass for store displays, pots and mannequins in some of their prop and merchandise display work, and then in the early 2000s with the famous downtown Chicago outdoor art projects “Cows on Parade” and “Suite Home Chicago” (fiberglass outdoor furniture...

Beautiful Swedish Grace armchair by Carl Malmsten, made from oak with a leather seat. Clean lines, statuesque expression. Old leather with patina.