An unusual pair of Regency mahogany day beds in the manner of Gillows

The Prevost Tallboy Important George III mahogany tallboy in the manner of Robert Gillow, the upper section with an architectural pediment with fretwork decoration above three short and three long drawers flanked by fine reeded columns, the lower section with a brushing slide over three long drawers and ogee bracket feet, the fronts bookmatched veneered in a most unusual cut of timber and fitted with gilded cast brass handles of a pattern recorded as one of 'Mr Gillow's Favourites'. An interesting feature of this tallboy is the chalk working sketch of a Chippendale ladder back...

An unusual George IV specimen marble backgammon table attributed to Gillows. This rectangular table is strongly attributed to Gillows. It has a rectangular top inlaid with a central chess board flanked by two backgammon fields, all inlaid with a multitude of specimen marbles. One edge carved and gilded with the Latin motto ‘Turpe est in patria vivere et patriam ignorare’. The oak base has a drawer for cards and playing pieces, all raised on a square section support with four splayed legs and the original brass castors. English, circa 1830. Provenance: Geoffrey Bennison Ltd, London, November 1983 The Mermaid House Collection, St. John’s Wood, London Property of a gentleman Private American collection The form of the base of this table is related to several known Gillows commissions from the late Regency period and the quality of the cabinet work also suggests that firm attribution to the firm. Backgammon tables, rather than more general games tables, are unusual at this date and the use of inlaid specimen marbles in the top suggests a client of wealth. Additionally, the Latin text on the edge of the table provides further clues. The text, Turpe est in patria vivere et patriam ignorare, translates as “it is shameful to live in your homeland and not know it”. This phrase dates back to antiquity but rose to prominence once again in the mid-18th century when used by the botanist and key Enlightenment figure Carl Linnaeus in his work on the native flora of Sweden. The combination of this phrase and the use of native English timbers and marbles is promoting English raw materials and craftsmanship at a time when the noble and the wealthy were focussed on European pietra dura tables. Mermaid House in St John’s Wood was re-designed by Chester Jones...

An unusual English 'Surrealist' day bed in the manner of Syrie Maugham. In a painted finish resembling ivory, and upholstered in a pale chartreuse silk.

This daybed stands out for its impressive scale. With outward scrolling upholstered side and downswept back within an ebonized surround with gilt acanthus and lotus leaf decoration; ...