Afra & Tobia Scarpa Cognac Dining Chairs
View Similar Items
Afra & Tobia Scarpa Cognac Dining Chairs
About the Item
- Creator:Carlo Scarpa (Designer)
- Dimensions:Height: 29.53 in (75 cm)Width: 22.05 in (56 cm)Length: 29.53 in (75 cm)Seat Height: 17.33 in (44 cm)
- Sold As:Set of 4
- Style:Post-Modern (Of the Period)
- Materials and Techniques:
- Period:
- Date of Manufacture:1970s
- Condition:Wear consistent with age and use.
- Seller Location:Antwerp, BE
- Reference Number:1stDibs: LU933422221542
Carlo Scarpa
Carlo Scarpa was born in Venice in 1906 and became one of the leading figures of architecture and international design during the 20th century. At merely 21 years old — and still a student at the Academy of Fine Arts — Scarpa began working as a designer for master Murano glassmaker M.V.M. Cappellin. Within a few years, he completely revolutionized the approach to art glass.
In a short time, under the guidance of Scarpa, the Capellin furnace not only established itself as the top glass company, but above all it introduced modernity and international fame to Murano glassmaking. Scarpa created a personal style of glassmaking, a new vision that irreversibly changed glass production.
The young Scarpa experimented with new models and colors: his chromatic combinations, impeccable execution and geometric shapes became his modus operandi. Thanks to Scarpa’s continuous research on vitreous matter, Cappellin produced a series of high-quality glass objects, that saw the company revisiting ancient processing techniques such as the watermark and Phoenician decoration.
When he encountered the challenge of opaque glass, Scarpa proposed introducing textures of considerable chromatic impact, such as glass pastes and glazed glass with bright colors. Scarpa also collaborated in the renovation of Palazzo da Mula in Murano, the home of Cappellin. At the academy, he obtained the diploma of professor of architectural design and obtained an honorary degree from the Venice University Institute of Architecture of which he was director.
In 1931, Scarpa's collaboration with Cappellin ended, following the bankruptcy of the company because it was not able to withstand the economic crisis linked to the Great Depression. But Scarpa did not go unnoticed by Paolo Venini — in 1933, the young designer became the new artistic director of the biggest glass company in Murano.
Master glassmakers thought Scarpa's projects and sketches were impossible, but the passionate and curious designer always managed to get exactly what he wanted. Until 1947 he remained at the helm of Venini & Co., where he created some of the best known masterpieces of modern glassmaking. Scarpa’s work with Venini was characterized by the continuous research on the subject, the use of color and techniques that he revisited in a very personal way, and the development of new ways of working with master glassmakers.
At the beginning of the 1930s, "bubble", "half filigree" and "submerged" glass appeared for the first time on the occasion of the Venice Biennale of 1934. A few years later, at the Biennale and the VI Triennale of Milan, Venini exhibited its lattimi and murrine romane pieces, which were born from a joint idea between Scarpa and Paolo Venini.
In 1938 Scarpa increased production, diversifying the vases from "objects of use" to sculptural works of art. In the same year he laid the foundation for the famous "woven" glass collection, exhibited the following year. In the subsequent years, Scarpa–Venini continued to exhibit at the Biennale and in various other shows their the "black and red lacquers," the granulari and the incisi, produced in limited series, and the "Chinese," which was inspired by Asian porcelain.
Scarpa's creations for Venini garnered an international response and were a great success, leaving forever an indelible mark on the history of glassmaking. The last Biennale in which Carlo Scarpa participated as artistic director of Venini was in 1942. He left the company five years later.
The time that Scarpa spent in the most important glass factory in Murano would attach a great artistic legacy to the company. His techniques and styles were resumed in the postwar period under the guidance of Tobia Venini, Paolo's son. In the 1950s, after the departure of Scarpa, Fulvio Bianconi was the new visionary at the Biennials with Venini.
On 1stDibs, vintage Carlo Scarpa glass and furniture are for sale, including decorative objects, tables, chandeliers and more.
(Biography provided by Ophir Gallery Inc.)
- Cognac Leather Dining Chairs, Italy, 1960sBy Carlo ScarpaLocated in Antwerp, BECognac leather chairs, attributed to Carlo Scarpa, Italy, 1960s Cognac leather chairs, attributed to Carlo Scarpa, made in Italy, 1960s. Carlo Scarpa attributed dining chairs in bea...Category
Vintage 1960s Italian Mid-Century Modern Chairs
MaterialsLeather, Walnut
$835 Sale Price / item20% Off - Cognac Mid-Century Dining Chairs, France, 1950sLocated in Antwerp, BEFrench wood & leather dining chairs; Mid-Century Modern; Craftsmanship; 1950s, France; Mid-century modern dining chairs, craft...Category
Vintage 1950s French Mid-Century Modern Dining Room Chairs
MaterialsLeather, Wood
$1,050 / item - Dining Chairs in Cognac Leather and Steel, France, 1950sLocated in Antwerp, BEA remarkable set of four dining chairs in excellent condition. The organic steel frame goes hand in hand with the timeless cognac leather seating and back support. A very playful and...Category
Vintage 1950s French Mid-Century Modern Dining Room Chairs
MaterialsSteel
- Rustic Modern Cognac Leather ChairLocated in Antwerp, BEblack lacquer steel and patinated cognac leather chairs, set of six, Belgium, 1960s Unusual set of six side chairs, thick leather seating, sol...Category
Mid-20th Century European Rustic Chairs
MaterialsSteel
- Steel and Cognac Dining Chairs by Raymond Rombouts, Belgium, 20th CenturyLocated in Antwerp, BEExceptional steel dining chairs designed by the iconic Belgian architect, Raymond Rombouts. Crafted with a keen eye for purity and perfectionism, these chairs embody Rombouts' timele...Category
Late 20th Century Belgian Mid-Century Modern Dining Room Chairs
MaterialsMetal
- Cassina 'Soriana' Cognac Leather Sofa by Afra and Tobia Scarpa, 1970sBy Afra & Tobia Scarpa, CassinaLocated in Antwerp, BEScarpa; Cassina; Tobia Scarpa; Afra Scarpa; Minimalist; Italian Design; Hollywood Regency; Post-modern; Afra and Tobia Scarpa for Cassina, Soriana, reupholstered in aniline leather....Category
Vintage 1970s Italian Post-Modern Sofas
MaterialsChrome
- Afra & Tobia Scarpa Plywood Dining Chairs, 1973, Set of 8By Afra & Tobia ScarpaLocated in Lonigo, VenetoAfra & Tobia Scarpa plywood dining chairs, metal and plywood, Italy, 1973, set of eight. Following the typical geometric line of the Scarpa duo, this particular chair features an ...Category
Vintage 1970s Italian Mid-Century Modern Chairs
MaterialsMetal
- Set of 2 Dining Chairs by Afra & Tobia Scarpa, Italy, 1970'sBy Afra & Tobia ScarpaLocated in Oud Beijerland, NLRare set of 2 dining chairs by Afra & Tobia Scarpa, Italy, 1970's. A minimal and striking design with strong graphic lines and interesting det...Category
Vintage 1970s Italian Mid-Century Modern Chairs
MaterialsMetal
- Afra & Tobia Scarpa for Maxalto 'New Harmony' Set of Six Dining ChairsBy Maxalto, Afra & Tobia ScarpaLocated in Waalwijk, NLAfra & Tobia Scarpa for Maxalto, 'New Harmony' set of six dining chairs, walnut, fabric, leather, Italy, circa 1983 The 'New Harmony' collection designed by Afra & Tobia Scarpa is d...Category
Vintage 1980s Italian Post-Modern Dining Room Chairs
MaterialsLeather, Fabric, Walnut
- Afra & Tobia Scarpa ‘Benetton’ Chair in Leather and SteelBy Afra & Tobia ScarpaLocated in Waalwijk, NLAfra & Tobia Scarpa for Benetton Office, chair, brass, leather, steel, Italy, 1985. This chair is designed for the office of the clothing brand Benetton by Afra & Tobia Scarpa. This...Category
Vintage 1980s Italian Post-Modern Dining Room Chairs
MaterialsBrass, Steel
- Afra & Tobia Scarpa "Monk" Dining Chairs for Molteni, 1974, Set of 8By Afra & Tobia Scarpa, Molteni & CLocated in Lonigo, VenetoAfra & Tobia Scarpa "Monk" dining chairs for Molteni, black leather and beech, Italy, 1974, set of eight. The particular feature of this model is the support structure composed of t...Category
Vintage 1970s Italian Mid-Century Modern Chairs
MaterialsLeather, Walnut
- Afra & Tobia Scarpa "Monk" Dining Chairs for Molteni, 1974, Set of 6By Afra & Tobia Scarpa, Molteni & CLocated in Lonigo, VenetoAfra & Tobia Scarpa "Monk" dining chairs for Molteni, black leather and beech, Italy, 1974, set of six. The particular feature of this model is the support structure composed of two...Category
Vintage 1970s Italian Mid-Century Modern Dining Room Chairs
MaterialsLeather, Beech
Recently Viewed
View AllRead More
Vincent Van Duysen Imbues Minimalism with Warmth
The Antwerp-based designer lends his unique touch to homes, boutiques and offices in Belgium, the United States and Germany, as well as furniture for B&B Italia and Molteni.
Is Lionel Jadot the Willy Wonka of Upcycled Belgian Design?
From his massive collaborative workshop in a former paper factory, the designer concocts funky furniture from disused materials, as well as luxe hotel interiors like the new Mix Brussels.