Barney Flagg for Drexel Parallel Dining Chairs

These six Adrian Pearsall Model 2051-C high-back dining chairs, upholstered in a lush green crushed velvet, epitomize sculptural mid-century elegance. Pearsall’s iconic design from t...

Set of six dining chairs by Thomasville, from the Embassy line, restored with integrity and style. Includes two arm-chairs and four side chairs. Armless chairs measure about 19 inches wide × 20 inches deep × 41.25 inches high, seat height roughly 19.25 inches. Arm-chairs are approximately 21.25 inches wide, same depth and back height, with arms rising to about 24.25 inches. Design is distinctly Chinoiserie, with an Asian-inspired silhouette: the crown is pagoda-notched, the blade-like backs curve inward following the spine’s shape for ergonomic support. Frames are solid wood, original finish clean with only minor blemishes; seat cushions have been re-upholstered in a neutral blended fabric combining tones of gray, brown, black and white—modern yet complementary to the frame tones. Restoration has reinforced structural joints; the wood surfaces have been cleaned, polished, and detailed so the grain and contour shine. The overall presence is both elegant and bold—chairs that bring visual rhythm to a dining set, a media console, or curated furniture group. Suited for interiors that prize material authenticity, decorative nuance, and vintage pedigree. These chairs perform well around classic dining tables, or paired with wood, lacquer, or mirrored surfaces. Ideal for collectors and designers who value style lineage, tactile form, and pieces that carry both beauty and useability. Lovingly restored, set of six Nineteen-Laties Thomasville Embassy...

This set of eight dining chairs by Adrian Pearsall for Craft Associates reflects the designer’s bold exploration of form in the 1970s. With tall angular backs and sculpted walnut fra...

This majestic Italian marble pedestal table, defined by bold geometry and elemental poise, stands as a sculptural anchor in any refined setting. The design features two robust black-marble pedestals—each crafted with inherent veining that whispers of natural dynamics and geological depth—positioned with tailored flexibility: they can be placed closer together for an intimate feel or spaced apart to create a dramatic, architectural stance. In its versatility, the piece can transform gracefully from dining table to console table, adapting effortlessly to stylistic or spatial needs. A substantial half-inch-thick glass top floats above the pedestals with beveled edges that capture and throw light, casting luminous reflections beneath. The transparency of the glass harmonizes with the solidity of the marble, allowing the interplay of form and weight to remain visible from every angle. The glass’s restraint highlights the pedestals’ sophistication without overwhelming the design narrative. Natural wear is modest—a few gentle nicks at the marble corners—infusing the piece with character rather than diminishing its presence. The marble, polished to a sheen, still resonates with tactile luxury, while the clean transparency of the glass preserves a modernist clarity. This table transcends mere functionality—it is an architectural statement in stone and light, a post-modern interpretation of solidity and transparency. It brings to mind the legacy of pedestal design where form and utility unify seamlessly, though reimagined here with dramatic scale and material opulence. Collectors drawn to sculptural gravitas, material elegance, and flexible design will find this piece irresistible. It stands ready to elevate fine interiors, offering both presence and narrative depth—an investment in ambiance as much as in form. Vintage 1980s black and white Neo Deco dining set. The luxurious black marble pedestal base features striking white veins and fields of mystical taupe-gray. It’s almost as if a thunderstorm was captured in stone. Dynamic white bands streak through the blackness like lighting bolts in a storm darkened sky. The 1980s enjoyed an Art Deco revival which came to be known as “Neo Deco.” This dining set is a prime example of the Neo Deco zeitgeist. The graduating arches on the chair backs emulate The Chrysler Building’s crown… an Art Deco architectural icon. The marble base’s silhouette is also informed by Art Deco architecture. The table has been updated with a newer 48″ diameter round glass top. No worry of stains on these vintage white seats. The previous owner was meticulous. In fact, the chair seats were still covered in the original plastic when we acquired the set. The base itself is a work of art, beautifully exhibiting the tenants of post-modern design. It is both decorative and simple. The designer has arranged slabs of sumptuous black marble in descending size, emanating from the center. This array of slabs cumulatively form a diamond shape when viewed from the top. The dramatic, high-back, chairs have a glossy lacquer finish that captures the same sheen as the stone pedestal table base...