Important Set of Twelve (12) Italian 1940's Dining Chairs

In the manner of Jacques Adnet, these six French oak dining chairs with lattice back and tapering legs have been reupholstered in a thick charcoal gray linen fabric. They are sturdy...

Vintage Walnut and rush seat dining chairs by Charles Dudouyt, France 1940s. Dudouyt crafted wooden furniture in strong Art Deco/ brutalist forms, using playful geometries and const...

These fantastic chairs have been stripped and bleached and reupholstered in a soft boucle fabric. They are very comfortable and very unique. NOTE: we have a SEVENTH chair that we...

A very comfortable set of black stitched leather chairs by Matteo Grassi. Steel frame with chromed steel handle on backrest. Raw linen padded seat and back.

This elegant Set of six chairs in hardwood where designed and made in Italy in the early 1940s. The chairs are probably designed by Osvaldo Borsani. They are similar ton the chair 4...

Comprising ten side chairs and two armchairs. Each with a rectangular shaped crest rail over a reeded and leaf carved spindle back , bowed seat frame, drop in seats raised on reeded ...

- Made in Czechoslovakia 1940s - Made of Wood, fabric. - Good, original condition. - Seat height 49 cm - The seat is sprung and very comfortable.

French Art Deco set of TWELVE dining chairs, circa 1938, by Andre Arbus in mahogany. 20” wide x 22” deep x 38” high. Could be used with Arbus mahogany dining table #1514. This model is documented and the design is characteristic of Arbus’s late 1930s style, well-manifested in his participation in the The Exposition Internationale des Arts et Techniques dans la Vie Moderne held from 25 May to 25 November 1937 in Paris, France. Andre Arbus (1903-1969) French Art Deco Architect and Designer, ANDRE ARBUS, WAS born in Toulouse, France. A third-generation cabinetmaker, Arbus became active in the Salons of the Societe des Artistes Decorateurs and the Salon d’Automne in Paris in 1925 at the young age of 22. His work included commissions for the 1922 oceanliner Bretagne, the 1927 La Provence and Ile-de-France as well as the 1961 France. He often used rare and exotic materials in his refined designs. These were elegant and pure and often gave the appearance of fragility – as in his neo-classical presentation at the Paris International Exposition...