“Farfalla” Lounge Chair by Frans Willigers, Netherlands, 2018

A sculptural and highly distinctive chair by Gigi Sabadin, designed for Emme in the 1970s. The “Pala” features a tall upright backrest, circular woven seat, and a ski-like split base...

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The “Elephant” lounge chair is a very rare and extraordinary statement piece where futuristic form and advanced materials converge. Designed by Herbert Schultes for Lensvelt, the cha...

The “Groeten uit Holland” (Greetings from Holland) chair is an iconic design by Rob Eckhardt, manufactured by Pastoe in the Netherlands around 1980. Inspired by the Dutch tulip, thi...

Late 1990s lounge chair designed by Fabiaan Van Severen consisting of a grey tubular metal crossed legged frame with a red canvas and rope upholstery. Beautiful design piece which w...

This chair was originally designed by the Dutch Benedictine monk and architect, Dom Hans van der Laan for the Abbey Church of St. Benedictusberg located near the Dutch town of Vaals. This easy chair is in an untouched condition. It was made of pinewood and feature copper nails, giving this piece an understated, rustic look. The chair was entirely painted grey, including the nails. The main focus of van der Laan’s design was functionality and rationality, which is reflected in the openings on the sides and on the back that serves the purpose of joining multiple pieces together. This chair is a beautiful piece of Dutch design history. Although Dom van der Laan left a small body of work behind, his legacy is highly regarded in the world of architecture. The St. Benedictusberg Abbey in Vaals and its interior quickly became his masterpiece at the age of 53. Condition: In good vintage condition. Wear consistent with age and use. Item has some small marks and scratches. Dimensions: 21.2 in W x 20.8 in D x 37.4 in H 54 cm W x 53 cm D x 95 cm H About the designer: Dom Hans van der Laan (1904-1991) was the ninth of the eleven recorded children of Leiden architect Leo van der...

To Behrens Kreuzschwinger in a rare and "raw" version in clear lacquered steel. Unlike the normal Kreuzschwingern here the surface was not chromed or coated but only clear lacquered....