Leif Jacobsen Lounge Chairs Flat-bar Steel Frames & Gray Ribbed wool Upholstery

Pair of Classic Jens Risom lounge chairs in navy blue wool upholstery. Gorgeous oiled walnut frames.

Very comfortable Mid-Century Modern lounge scoop chair on stainless steel base in the style of Milo Baughman.

A simple and sleek modern pair of slipper chairs after Florence Knoll circa 1970's. These feature their original upholstery with bronze f...

Vittorio Varo for I.P.E., lounge chair, model 'Cigno, fabric, chrome-plated metal, Italy, 1968. The Italian designer Vittorio Varo created a striking design that adds a vibrant all...

Set of two armless Slipper chairs / lounge chairs designed by Edward Wormley for Dunbar, 1950s. The medium grey. Upholstery has been recently updated and in fine condition with no is...

This terrific example of the Eames LKH-2 easy chair has a black wire seat, a bikini pad in magenta naugahyde designed by Alexander Girard and a zinc lounge ...

Architectural modernist slipper lounge chair by Craftsman's Village.

Ward Bennett for Brickel Assoc. Black ash scissor lounge chair pair, set of two, red wool bouclé, 1984, New York. Black lacquered ash, red wool upholstery, metal tags to each. Ward Bennett’s story is a remarkable one. His career began at age 13, when he quit school to work in the garment district in New York City. At 15, he designed his first clothing collection; at 16 he left for Europe, where he continued working on fashion design. While in Europe, he attended art schools in Florence and Paris, but he was mostly self-taught, with skills that ranged from illustrating, sculpting, and jewelry-making to furniture, interior, and home design. “I learn from people,” he once said, referencing a long line of influences, including Hattie Carnegie, Hans Hoffman, and Georgia O’Keeffe. Bennett eventually settled back in New York, where his reputation earned him some of the day’s most affluent clients: David Rockefeller and Chase Manhattan Bank, Tiffany & Co., Sasaki, Italian industrialist Gianni Agnelli, Rolling Stone founder Jann Wenner. Another—former President Lyndon Baines Johnson—asked Bennett to design a chair for his presidential library that would be “a cross between a barroom chair and a courtroom chair...

Ward Bennett for Brickel Assoc. black Ash Scissor Lounge Chair, Red Wool Bouclé, 1984, New York. Black lacquered ash, red wool upholstery, metal tags to each. Ward Bennett’s story is a remarkable one. His career began at age 13, when he quit school to work in the garment district in New York City. At 15, he designed his first clothing collection; at 16 he left for Europe, where he continued working on fashion design. While in Europe, he attended art schools in Florence and Paris, but he was mostly self-taught, with skills that ranged from illustrating, sculpting, and jewelry-making to furniture, interior, and home design. “I learn from people,” he once said, referencing a long line of influences, including Hattie Carnegie, Hans Hoffman, and Georgia O’Keeffe. Bennett eventually settled back in New York, where his reputation earned him some of the day’s most affluent clients: David Rockefeller and Chase Manhattan Bank, Tiffany & Co., Sasaki, Italian industrialist Gianni Agnelli, Rolling Stone founder Jann Wenner. Another—former President Lyndon Baines Johnson—asked Bennett to design a chair for his presidential library that would be “a cross between a barroom chair and a courtroom chair...

Slipper chair by Paul Laszlo c.1940s, USA. The chair, piping and buttons are all finished in cotton-linen blend fabrics from Rogers and Goffigon. The textured oatmeal fabric alongsid...