Stoll Giroflex set of 2 leather lounge chairs, 1970

Thams lounge chair in good condition. The seat and back cushions are made of genuine leather, are in perfect condition and have a very beautiful patina. The back and sides, as well a...

Absolutely exceptional lounge chair from the Italian manufacturer Tecno, which was made for the presidential suite of an exclusive hotel. The chair comes in a firm brown fabric cover...

The black farmer's chairs with the matching table are in very good condition. The wooden slats show minimal signs of wear. The seats and backs of the chairs are made of black canvas ...

An unusual and intelligently designed lounge chair in the postmodern style of the 80s. The frame of the chair, made of black wood, is fixed using tightly tensioned steel cables and a...

Beautiful reclinable swivel chair designed by Martin Stoll for Giroflex in Switzerland with typical bentwood shells like the famous lounge chair by Eamens. This bentwood is finished ...

This elegant executive armchair was designed by Martin Stoll for the Swiss manufacturer Stoll Giroflex during the 1960s. The molded, rounded frame is made of bent wood and finished in a warm colored walnut with visible regular grain. The seat, armrest and backrest are upholstered in black natural leather. The rotating five-armed leg is made of metal. The armchair is very comfortable. It is a classic design, which in its form refers to the icon of design: the lounge chair by Ray and Charles Eames. The history of the Stoll Giroflex company dates back to 1872, when Albert Stoll...

Made in Switzerland Made of fabric and bent wood Very good original condition.

Modernist lounge chairs in tubular chromed steel, yellow leather, Italy, 1970, set of 2 With their sleek cantilever structure and soft round forms, these modernist lounge chairs encapsulate the radical spirit of 1970s Italian design. The chromed tubular steel frame defines a low-slung silhouette that balances structural clarity with sculptural presence. A continuous loop forms the base and supports both seat and backrest, showcasing an expressive mastery of bent metal—a material language that traces its roots back to the revolutionary designs of Le Corbusier and Charlotte Perriand in the 1930s, such as the iconic LC7 chair for Cassina. The round backrests and wide seats are upholstered in yellow leather, introducing a bold chromatic accent and a sensual tactile quality to the otherwise minimal composition. The contrast between the industrial frame and the saturated upholstery echoes the experimental ethos of postmodern design—reminiscent of the formal investigations by Giandomenico Belotti or Cini Boeri, whose work often blended technical precision with emotional softness. Though the author of these chairs remains unidentified, their design reflects the avant-garde energy of the Italian furniture scene in the late 20th century—a moment defined by material experimentation and structural boldness. Comparable in spirit to Belotti’s “Spaghetti” chair...