Chrome Loveseats

This bench is composed of a Corian top floating on an elegantly detailed walnut frame. It is large enough for one's imagination or a group conversation. Spanning 7' long, it commands environments while subtly disappearing like its double miter joints that waterfall into the walnut grain. The bench is sawn from long hand-selected boards, carefully milled with a miter joint detail that cascades or 'waterfalls' a continuous grain from the seat down through the legs. To further accentuate the bench's slender span, we chose a double miter cut on the edge profile that almost makes the Bench's thickness at first glance disappear. The white-to-walnut bench refines the moment of repose. Its minimalism is as seductive as its touch to the senses. This bench is versatile and can just as easily define a vestibule or gallery window as it will sit aside a matching dining table. Finished in Tung oil it maintains a natural look and feel for the locally sourced black walnut. This item is available in custom sizes or finishes upon request. Due to natural materials used, the object received will be unique in material figuring and coloration. No item assembly or installation is necessary. Care for the object is minimal and can be conditioned every 2 years to maintain the original finish. All of our pieces are originally designed and handmade in the Brooklyn, NY based Figure+Ground studio; we don't believe in the separation of design and fabrication. Each item is handcrafted, serialized, and shipped with a “Certificate of Authenticity”, documenting its place in history. Own an original Figure+Ground Piece...

Very early Florence Knoll sofa, circa late 1940s, in vintage oatmeal nubby wool Knoll fabric, with down seat and back cushions. The six inset legs make...

Loveseat by Milo Baughman for Thayer Coggin, featuring a burlwood case and chrome base, circa 1960s.

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Mid-Century Modern Bauhaus black and white Naugahyde upholstery bench. Mies van der Rohe, Le Corbusier, Marcel Breuer decor.

Pristine Florence Knoll sofa for Knoll International. Upholstered in gorgeous Sina Pearson fabric. Florence Knoll was a pioneering designer and entrepreneur who created the modern look and feel of America’s postwar corporate office with sleek furniture, artistic textiles and an uncluttered, free-flowing workplace environment. To connoisseurs of Modernism, the mid-20th century designs of Florence Knoll, were — and still are — the essence of the genre’s clean, functional forms. Transcending design fads, they are still influential, still contemporary, still common in offices, homes and public spaces, still found in dealers’ showrooms and represented in museum collections. Ms. Knoll learned her art at the side of Modernist masters. She was a protégé of the German-American architect Ludwig Mies van der Rohe and Eliel Saarinen, the Finnish architect and teacher and the father of the architect Eero Saarinen. And she worked with the renowned Bauhaus architects Walter Gropius and Marcel Breuer. Throughout her career, influenced by the German Bauhaus school of design, she promoted the Modernist merger of architecture, art and utility in her furnishings and interiors, especially — although not exclusively — for offices. In the 1940s, she married and became a business partner of the German-born furniture maker Hans Knoll, and over 20 years she was instrumental in building Knoll Associates into the largest and most prestigious high-end design firm of its kind, with 35 showrooms in the United States and around the world. While her husband handled business affairs, Ms. Knoll was the design force of Knoll Associates. It grew to become the leading innovator of modern interiors and furnishings in the 1950s and ’60s, transforming the CBS, Seagram and Look magazine headquarters in Manhattan, the H. J. Heinz headquarters in Pittsburgh and properties across the United States, Europe, Asia and South America, including American embassies. Her “total design” favored open work spaces over private offices, and furniture grouped for informal discussions. It integrated lighting, vibrant colors, acoustical fabrics, chairs molded like tulip petals, sofas and desks with chrome legs...

Mid Century Modern Milo Baughman Style Swivel Love Lounge Newly Upholstered in a High End Natural Shearling "Polar Bear" We just reupholstered this iconic swivel love seat...

A walnut slab sided upholstered loveseat with great curved frontal area having loose cushions too the back and bottom . Crafted by Otmar who was know for Danish styled furniture that...

Milo Baughman loveseat with swivel arms to transform from a loveseat to a tete-a-tete. This 20th century Thayer Coggin classic sofa has been newly restored in a dark teal mohair with...

1970s mid century modern Burnt Orange leather loveseat by Ekornes. This two seaters sofa was designed and manufactured by Ekornes in Norway in the early 70s. This incredibly comforta...

Attributed to Florence Knoll Three-seat sofa in black upholstery. Circa late 20th or 21st century. 84.5" W Unmarked on the bottom. Condition: Overall very good condition. No rips o...