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Art Deco Desk Chair Pair Designed by Paul Mathieu for Stephanie Odegard
About the Item
"Introducing the Art Deco Desk Chair Pair, a stunning set of Art Deco Desk Chairs designed by the renowned Paul Mathieu for Stephanie Odegard. These elegant Art Deco desk chairs boast a unique curved profile that exudes a sophisticated and timeless charm, making them the perfect addition to any modern or Classic interior.
Crafted with utmost care and attention to detail, these Art Deco Desk Chairs are made to order and are available in twelve metal clad finishes, ensuring that you can choose the perfect one to match your individual style and taste. The use of high-quality materials and expert craftsmanship ensure that each desk chair is not only beautiful but also a true piece of art.
The curved legs and side arms of these Art Deco Desk Chairs are hand carved from solid pieces of teak. Pattern makers trace and cut complex forms that will cover the chair in a skin of copper or purest silver (assayed at 96% purity, beyond sterling at 92.5%). The metal finishes will tarnish over time. Regular non-abrasive household metal polishes can be used to restore the original lustre.
Overall, if you're looking for a piece of furniture that combines luxury, comfort, and style, then the Art Deco Desk Chair Pair is an excellent choice. With their distinctive curved profile and multiple finish options, this chair set is sure to elevate the look of any room it is placed in and be a beloved addition to your home or office for years to come.
Art Deco Desk Chair Pair Designed by Paul Mathieu for Stephanie Odegard
Size: 26"" L x 27"" W x 33"" H
Materials: White Bronze Metal sheet, Teak, Wood, Metal
Techniques: Cast, handcrafted, hand carved, Metal Work, Wood Work, Polished
Please note that moisture in the air, sudden changes in temperature, and natural movement of wood over time may cause the metal to wrinkle or bubble up. We use well-seasoned, reclaimed teak and high-quality marine-grade MDF (wherever technically possible) to avoid and delay the above-mentioned changes. However, a perfect stability of the metal cannot be guaranteed.
Please note that our smooth finish metal clad pieces may have some unavoidable tool marks. This is proof that everything is done by hand. The smooth finish will not come out like a machine-made perfect surface, and the master artisan will do their best to make it look as good, clean, stable, and perfect as they possibly can.".
- Creator:Stephanie Odegard Collection (Manufacturer),Paul Mathieu (French) (Designer)
- Dimensions:Height: 33 in (83.82 cm)Width: 27 in (68.58 cm)Depth: 26 in (66.04 cm)Seat Height: 20 in (50.8 cm)
- Sold As:Set of 2
- Style:Art Deco (In the Style Of)
- Materials and Techniques:Bronze,Metal,Sheet Metal,Teak,Wood,Bronzed,Cast,Hand-Carved,Hand-Crafted,Metalwork,Polished,Woodwork
- Place of Origin:
- Period:
- Date of Manufacture:2023
- Production Type:New & Custom(Current Production)
- Estimated Production Time:6-7 weeks
- Condition:
- Seller Location:New York, NY
- Reference Number:1stDibs: LU4236134625912
Stephanie Odegard Co. Ltd.
Stephanie Odegard has been involved in assisting developing countries to promote and preserve the traditional artisanal crafts since she served in the Peace Corps in Fiji in 1976. After working for the United Nations and the World Bank, she founded her revolutionary company renowned for its inspired designs, high production standards and creation of luxurious hand-knotted carpets, antique, vintage, contemporary, modern, furniture, accessories, etc. Now, an internationally recognized leader in contemporary design, Stephanie has garnered numerous accolades and awards that acknowledge both her design talents and her commitment to social progress and philanthropic accountability. In June 2001, the Peace Corps presented her with an award honouring a former volunteer who promotes international economic development, exemplifies respect for cultural diversity and provides a model workplace for employees. The Collection: Stephanie Odegard seeks to preserve rare artistic traditions from around the world and has devoted her career to assisting artisans in developing countries promote and preserve their traditional crafts. Recognized as an international leader in contemporary design, she has expanded carpets to include finely crafted objects from regions outside Nepal and Tibet, and has focused on preserving the ancient traditions which flourished during the Mughal period.
Customization is our specialty. Please do not hesitate to get in touch with us for any queries regarding size, material or design customization.
About the Seller
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We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982.
Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale.
Why are there so many antiques in Argentina?
In the 1880 – 1940 there was a grate wave of immigration encouraged by the periods of war that were taking place.
1st World War took place between 1914 and 1918
2nd World War took place between 1939 and 1945
The immigrants options were New York or Buenos Aires. Tickets were cheap and in Buenos Aires they were welcomed with open arms, as it was a country where everything was still to be done.
Argentina was the country of new opportunities, labour was needed and religious freedom was assured, in many cases the of the family travel first until they were settled and then the rest of the family members join them.
In the immigrant museum “Ellis Island Immigrant Building” in New York you can se the promotional posters of the boats that would take them to a new life.
Between the years 1895 and 1896, Argentina had the highest DGP (gross domestic product) per capita in the world according to the Maddison Historical Statistics index, this situation arose due to the large amount of food being exported to European countries, which were at war.
The Argentinean ships left the port of Buenos Aires with food, but they returned with furniture, clothes and construction elements, (it´s common to see this the old buildings of the historic neighbourhood of San Telmo, the beams with the inscription “Made in England)”, as well as many markets that were built in Buenos Aires, such us the San Telmo Market, whose structure was brought by ship and afterwards assembled in 900 Defensa Street.
With the great influence of European immigrants living in the country, the children of the upper classes travelled to study in France, resulting in the inauguration of “La Maison Argentinienne”, on 27th of June 1928, in the international city of Paris, which hosted many Argentinians that were studying in Frace.
It´s the fourth house to be built after France, Canada and Belgium, being the first Spanish-speaking one. Still in place today (17 Bd Jourdan, 75014, Paris, France). Many of the children of these wealthy families who attended international art exhibitions, museums and art courses abroad, took a keen interest in the European style. This is why Buenos Aires was at the time referred as “The Paris of South America”.
Between the years 1890 and 1920 more than a hundred Palaces were built on Alvear Avenue the most exclusive avenue in Buenos Aires. Today some of these palaces have been transformed into museums, hotels and embassies.
In the year 1936, the Kavanagh building was inaugurated, it was the tallest reinforced concrete building in South America.
During 1994 the American Society of Civil Engineers distinguished it as an “international engineering milestone”, and it´s now considered a World Heritage of Modern Architecture.
At the time was common to hire foreign architects such as Le Corbusier, who visited Buenos Aires/Argentina in 1929 and in 1948 he drew up the blueprints for a house built in La Plata City (which was declared a World Heritage Site).
In 1947, the Hungarian architect Marcelo Breuer designed “Parador Ariston” in the seaside city of Mar del Plata. After an Argentinean student at Harvard University convinced him to come to Argentina. He worked on an urban development project in the Casa Amarilla, area of La Boca.
The Ukrainian architect, Vladimiro Acosta, arrives in Argentina in 1928 and worked as an architect until que moved to Brazil.
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