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Leather and Steel Scandinavian Desk Chair by Mats Theselius for Källemo

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    An exceedingly rare Hans J. Wegner Model A721 cognac leather and oak early Danish Mid-century executive chair for Planmøbel, Denmark 1940. Originally designed by Wegner following his work for Arne Jacobsen and Erik Møller’s ground breaking Rådhus (Aarhus City Hall) project in 1940, the A721, stands out as one of his earliest known chair designs. Along with a number of other chairs like the B123, the Rådhus chairs were handcrafted by Michael Laursen, I.C.A Nielsen and Planmøbel specifically for the project. Originally made in small numbers all the chairs were of uniform construction with solid oak frames matched to leather upholstery and with thick, solid jointing work that complemented the angular forms. Here we also see for the first time, Wegner’s use of the flared arm rest that were a signature design element for every armchair produced for the Rådhus. These flares were either carved into the wood (as in the Council chamber chairs...
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  • Lounge Chair, Midcentury Scandinavian Cantilever Chrome and Webbing
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    Vintage 1970s Danish Mid-Century Modern Lounge Chairs

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  • Vintage sheepskin and leather and cane easy chairs attributed to Rohe Noordwolde
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    Welcome to Valhalla! Very Nordic in style this pair of chairs features thick leather seats and backs, on bound cane supports with long haired Icelandic sheepskin throws – both throws...
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  • Vintage Italian leather Korium armchairs by Tito Agnoli for Matteo Grassi
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    A pair of vintage Italian brown leather Korium armchairs with a steel frame on black castors, designed by Tito Agnoli for Matteo Grassi, 1980s – the price is for both chairs. This pair of chairs date from the 1980s and were part of series of armchairs and sofas designed by Agnoli for Matteo Grassi in 1978. The design bears a close resemblance to the Mario Bellini Cab 413 chair which was released by Cassina in the previous year. Given that both chairs took over a year to prototype it’s difficult to know which took precedence, and although both have a similar look, they feel different: the 413 is softer and more organic and the Korium, firmer and more hard wearing. In a sense both took inspiration from their respective manufacturer’s with regard to the outcome of the designs. Matteo Grassi had a long history of producing high quality and finely crafted saddlery going as far back as 1880, and this shines through in the quality of the construction and stitching. Like the Bellini chair, the point of identification is that the metal framework is an analogy for the human skeleton with the leather acting as the ‘skin’ that shrouds the frame. In a sense the design of the Korium also shares some aspects of the construction of early 20th Century bentwood furniture such as the benches that were created by Jacob and Josef Kohn. Like the wood that was so beautifully embossed in the Kohn’s bench...
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  • Preben Fabricius and Jorgen Kastlhom FK 6727-3G Lounge Chairs for Walter Knoll
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