Norwegian Wood and Papercord Rocking Chair by Slåke Møbelfabrik, Norway 1940s

Slåke has produced furniture since 1938. The work has always been based on good craftsmanship and solid furniture traditions. Since the beginning, it has been important to the manufa...

While they play a prominent role in both architecture and pop culture, rocking chairs solidified their place in Scandinavian design history as well. As this Swedish model proves, functionality can manifest in many forms, but it is always accompanied by both great material and aesthetic quality in Swedish design. Taking influence from the golden age of modernism in Sweden and the 1930s’ cabin furniture, this rocking chair was made in the famous “sportstugemöbel” style, originally intended for Swedish summer houses. Solid pine was the preferred material in this specific style and some of the most prominent Swedish designers created models for these summer residencies, including Axel Einar Hjorth and Carl Malmsten. Functionality and longevity were the guiding principles for the style, and accordingly, for this rocking chair as well. The pine structure is very polished and firm, assembled with an expert joinery technique. The seat is ergonomically carved, and the edges are gently rounded for maximum comfort. Åby furniture...

While they play a prominent role in both architecture and pop culture, rocking chairs solidified their place in Scandinavian design history as well. As this Henning Kjærnulf model pr...

While they play a prominent role in both architecture and pop culture, rocking chairs solidified their place in Scandinavian design history as well. As this model proves, functionality can manifest in many forms, but it is always accompanied by expert craftsmanship and a great aesthetic quality. The Brutalist style of design - the term derives from the French word brut, meaning “raw” – is characterized by a deliberate plainness and crudity, and emerged in the mid-20th century and gained popularity in the late 1950s and 1960s. In furniture and décor, the Brutalist movement was somber, giving importance to eerie organic and rugged shapes in earthy tones. The defining characteristics of Brutalist furniture design...

Danish Modern focused more on the aesthetics of modern design whilst employing the exquisite technique and material familiarity of highly skilled craftsmen known as cabinetmakers. Alfred Christensen’s present armchair in this style is a rare and exquisite example of this. Clean and pure lines define this armchair that are coupled with expert craftsmanship and delicate research into proportions, materials and the requirements of the human body, adapting design to modern-day needs. Adopting the trend of abandoning ornamentation to benefit the form, Christensen maintained the beauty and warmth inherent to traditional Danish cabinetmaking. In consequence, this armchair has a beautiful, warm look with rounded edges and an open look. The only ornamentation is the piping cord that runs along the edges of the body. The unique colour of the velour upholstery in combination with the dark, stained beech legs create warm elegance, perfect to bring a modern touch to any space. While Danish designers, including Alfred Christensen, had many principles, above all, all designers...

Mid-century designers were eager to break free from the aesthetics of the past and experiment with new forms, and techniques. At the same time, especially in Europe, the modernist design movement was often based on traditional styles and techniques, such as turned chairs. Turned chairs — sometimes called thrown chairs or spindle chairs — represent a style of Elizabethan or Jacobean turned furniture that had a vogue in the late 16th and early 17th century. The technique was carried on to the 20th century and was widespread in Europe as well, where craftsmen created durable pieces for various interiors and purposes. In turned furniture, the individual wooden spindles of the piece were made by shaping them with chisels and gouges while they were being spun, or turned between the centre points of a lathe. The construction of this pair is evocative of the more robust Arts and Crafts Movement, featuring subtle decorative elements such as the finials atop the backs. The sphere-shaped finials aren’t the only ornamentations on the design; the shape of the two splats on the back, the carved stretchers and carving on the feet are all decorative features that make this pair visually arresting. In later turned chairs, like this pair, rush seats were common. Here, the seats are woven around the frames with a light colour that beautifully contrasts to the dark, patinated wood. The partnership of the two natural materials is very effective as well; the wood and rush pair...

Custom hand made armchair with unique sophisticated rocking system. Made of elm and genuine leather in 1940s in Czechoslovakia. Very good condition.

A particularly fine 1940s birch bentwood rocking chair by Swedish designer Gustaf Axel Berg. An early importer of Alvar Aalto furniture, Gustaf Berg's own designs were influenced ...

Designed by Ernest Race in 1948. A very rare low volume original, it has become a highly recognised design classic. Constructed from bent steel rod, the chair is very comfortable. ...

Swedish rocking chair in pine, 1940s a stunning rocking chair in the style of Axel Einar Hjorth with beautiful lines, low profile and circular seat. Condition: Excellent restored con...

A classic Hans Wegner ML-33 rocking chair in teak. Made for Michael Laursen circa 1940s. The chair has a stylized wooden frame featuring verticle slats. The upholstery is vintage and...

Rocking chair designed by Göran Malmvall, Svensk fur/Swedish pine for Karl Andersson & Söner. Made in the 1940s. Thus style of pine furniture were d...