Fine English Regency Period Faux Bamboo Settee or Bench with Upholstered Seat

Raised on four square molded legs the rear legs back swept, these stairs feature a seat later recovered with Gobelin style fabric. A great choice. The carved and curved armrests, the...

English late 18th-early 19th century red chinoiserie grandfathers clock. Brass dial inscribed Jan Chater. Working condition. Beautiful detail and paint. Wonderful condition.

Austin Lee, American (Born 1983). 'Baby Bird'. Painted in 2016. Acrylic on canvas. Measures 60"H x 42"W. Purchased from Postmasters Gallery, NY. Comes with copy of original r...

Pair of Chinese Style lounge chairs by Baker Furniture and designed by Michael Taylor. Dark Brown wood with brass accents. Labeled on bottom. Horseshoe design.

A Handcrafted Regency Style Mahogany and cane Upholstered Seat Settee Bench with fine details in the Theodore Alexander's Althrop style. Measure 45.5"W x 24"D x 33.5" in height. Se...

Incorporating 'Stones of Bath' into this settee is inspired the pipers use of one of the five designs commissioned for their centenary, ‘The Glyders’, as loose covers for the chairs at their home Fawley bottom which John Betjeman called ‘Fawley Bum’. 'Stones of Bath' is one of five John Piper (1903-1992) designs commissioned by Arthur Sanderson & Sons in 1959 for their 1960 centenary celebrations. In 1962 Sanderson's screen printed ‘Stones of Bath’ on their Sanderlin fabric, a satinised linen which gave the design a shimmering, restless texture. This was ideally suited to the play of light depicted on the stone in the architectural repeat of buildings in the city of Bath. A piece of this fabric which is in the collection of the V&A was exhibited at the John Piper retrospective held at the Tate Gallery, London, 1983. Reference: 'Artists’ Textiles in Britain 1945-1970', Cat. No. 74. From the late 1950s-early 1960s there was interest in painterly textiles that demonstrated the unique potential of screen printing, with its ability to capture the quality of brush-stroked color. 'The monumental grandeur of many artists' textiles in the early 1960s was necessary if they were to work in the large scale architectural interiors of the era which witnessed a rapid growth in new public buildings, all which required furnishing with suitably prestigious fabrics'. Artists' Textiles in Britain 1945-1970 by Geoffrey Rayner, Richard Chamberlain...

A Louis XV period Canapé à Oreilles serpentine-shaped sofa. Featuring carved detailing, decorated with floral motifs and acanthus, with original Verd...

The straight, padded back re-upholstered in a modern linen to give a contemporary aesthetic. Originally with red velvet and embellished with 18th century, braid, fringe and tasse...