Fine English Regency Period Faux Bamboo Settee or Bench with Upholstered Seat

19th Century English Brighton pavilion style bamboo and lacquered cabinet. One drawer and one door flanked by open shelves. Brass cupped feet signed W.F. Needchamp, PAT. Center has a...

This elegant bench by Theodore Alexander features a wrought iron frame with a vibrant (not all black) finish adorned by openwork accented by bronze rosettes and classical scrolls end...

This traditionally blue and white garden seat features wonderful saturated blue decoration on a white beckground creating an unusual strong contrast. Two of the sides and the top are...

This vintage terrestrial Replogle World Classic 16 in. relief globe is mounted in a lacquered Rattan Bamboo stand with four legs, each made of three stems and joined by decorative tr...

Raised on four square molded legs the rear legs back swept, these stairs feature a seat later recovered with Gobelin style fabric. A great choice. The carved and curved armrests, the...

English late 18th-early 19th century red chinoiserie grandfathers clock. Brass dial inscribed Jan Chater. Working condition. Beautiful detail and paint. Wonderful condition.

Distinctive late 19th century upholstered mahogany sofa or settee made in the English Regency taste. Beautifully crafted with an older restoration featuring a tall square back mahoga...

A larger scale settee in white lacquer with a beautiful cane seat thats not shown. Very good original condition circa 1970's without any issues.

Found in England, this circa 1920s settee or sofa has a newly ebonised frame and is covered in white muslin - ready to be upholstered in the fabric of your choice. Eight legged frame features turned and reeded details and curved arms. Unknown maker. Frame and seat back are very good antique condition with a new finish. Insides of bench portion do not appear to have been rebuilt or restored. We acquired this piece from our English dealer...

Incorporating 'Stones of Bath' into this settee is inspired the pipers use of one of the five designs commissioned for their centenary, ‘The Glyders’, as loose covers for the chairs at their home Fawley bottom which John Betjeman called ‘Fawley Bum’. 'Stones of Bath' is one of five John Piper (1903-1992) designs commissioned by Arthur Sanderson & Sons in 1959 for their 1960 centenary celebrations. In 1962 Sanderson's screen printed ‘Stones of Bath’ on their Sanderlin fabric, a satinised linen which gave the design a shimmering, restless texture. This was ideally suited to the play of light depicted on the stone in the architectural repeat of buildings in the city of Bath. A piece of this fabric which is in the collection of the V&A was exhibited at the John Piper retrospective held at the Tate Gallery, London, 1983. Reference: 'Artists’ Textiles in Britain 1945-1970', Cat. No. 74. From the late 1950s-early 1960s there was interest in painterly textiles that demonstrated the unique potential of screen printing, with its ability to capture the quality of brush-stroked color. 'The monumental grandeur of many artists' textiles in the early 1960s was necessary if they were to work in the large scale architectural interiors of the era which witnessed a rapid growth in new public buildings, all which required furnishing with suitably prestigious fabrics'. Artists' Textiles in Britain 1945-1970 by Geoffrey Rayner, Richard Chamberlain...

A Louis XV period Canapé à Oreilles serpentine-shaped sofa. Featuring carved detailing, decorated with floral motifs and acanthus, with original Verd...

The straight, padded back re-upholstered in a modern linen to give a contemporary aesthetic. Originally with red velvet and embellished with 18th century, braid, fringe and tasse...