French Settee in Red Velvet Upholstery

Settee, red fabric, wood, metal, Italy, circa 1960 This Italian two-seat settee features a soft red color and can be placed in an entryway or bring a touch of elegance to any room. ...

Settee or sofa, stained wood, leather, fabric, brass, Denmark, 1920s. Exceptional example of early Danish design with robust, bulky aesthetics. The frame of the settee is made of st...

Pierre Paulin for Artifort, two-seat sofa from the ABCD series, fabric Kvadrat Hallingdal 65 - Color 0563, wood, metal, The Netherlands, design 1968 Beautifully curved and iconic tw...

Hans Ell for 't Spectrum, sofa or settee, model 'sz18', chrome-plated metal, fabric, The Netherlands, 1970-71 This sofa is designed by Hans Ell for 't Spectrum. A rare model, as th...

French Victorian style (modern) red tufted velvet settee with square back & side arms with 2 seat & bolster cushions and 3 loose back cushions standing on f...

Elevate your home decor with this red velvet settee that seamlessly combines comfort, style, and a dash of vintage allure. Comes with a square pillow...

Beautifully carved mahogany with foliate and rose decoration, this striking Belle Époque settee is crafted in the typical manner of the Louis XVI taste during the fourth quarter of the 19th century. This has been recently upholstered in rose pink velvet...

Incorporating 'Stones of Bath' into this settee is inspired the pipers use of one of the five designs commissioned for their centenary, ‘The Glyders’, as loose covers for the chairs at their home Fawley bottom which John Betjeman called ‘Fawley Bum’. 'Stones of Bath' is one of five John Piper (1903-1992) designs commissioned by Arthur Sanderson & Sons in 1959 for their 1960 centenary celebrations. In 1962 Sanderson's screen printed ‘Stones of Bath’ on their Sanderlin fabric, a satinised linen which gave the design a shimmering, restless texture. This was ideally suited to the play of light depicted on the stone in the architectural repeat of buildings in the city of Bath. A piece of this fabric which is in the collection of the V&A was exhibited at the John Piper retrospective held at the Tate Gallery, London, 1983. Reference: 'Artists’ Textiles in Britain 1945-1970', Cat. No. 74. From the late 1950s-early 1960s there was interest in painterly textiles that demonstrated the unique potential of screen printing, with its ability to capture the quality of brush-stroked color. 'The monumental grandeur of many artists' textiles in the early 1960s was necessary if they were to work in the large scale architectural interiors of the era which witnessed a rapid growth in new public buildings, all which required furnishing with suitably prestigious fabrics'. Artists' Textiles in Britain 1945-1970 by Geoffrey Rayner, Richard Chamberlain...