Vintage Red Velvet Settee

A lovely side/accent chair for your home. Note the wear and tear.

Introducing a stunning industrial C-shaped clamp, expertly welded to a durable steel base. This unique piece is not only functional but also a charming addition to your home decor. W...

A heavy vintage architect desk with various drawers and compartments. A wonderful piece of furniture to use and to store your tools, supplies an...

A 30" X 30" X 24.5" vintage game table. Note, the wear & tear and worn areas on the legs.

A vintage wooden pig that was once part of a carousel.

A lovely pair of vintage accent chairs.

Settee, velvet fabric, stained beech, France, 1930s This exquisite settee of France origin adopts stylistic motifs of the 19th century Victorian Era as can been seen in the ornate ...

French Victorian style (modern) red tufted velvet settee with square back & side arms with 2 seat & bolster cushions and 3 loose back cushions standing on f...

A stunning French 1920s Louis XV style settee upholstered in a rich red velvet upholstery with a creamy painted wood frame. The brass nailhead detailing adds an extra touch of sophis...

Incorporating 'Stones of Bath' into this settee is inspired the pipers use of one of the five designs commissioned for their centenary, ‘The Glyders’, as loose covers for the chairs at their home Fawley bottom which John Betjeman called ‘Fawley Bum’. 'Stones of Bath' is one of five John Piper (1903-1992) designs commissioned by Arthur Sanderson & Sons in 1959 for their 1960 centenary celebrations. In 1962 Sanderson's screen printed ‘Stones of Bath’ on their Sanderlin fabric, a satinised linen which gave the design a shimmering, restless texture. This was ideally suited to the play of light depicted on the stone in the architectural repeat of buildings in the city of Bath. A piece of this fabric which is in the collection of the V&A was exhibited at the John Piper retrospective held at the Tate Gallery, London, 1983. Reference: 'Artists’ Textiles in Britain 1945-1970', Cat. No. 74. From the late 1950s-early 1960s there was interest in painterly textiles that demonstrated the unique potential of screen printing, with its ability to capture the quality of brush-stroked color. 'The monumental grandeur of many artists' textiles in the early 1960s was necessary if they were to work in the large scale architectural interiors of the era which witnessed a rapid growth in new public buildings, all which required furnishing with suitably prestigious fabrics'. Artists' Textiles in Britain 1945-1970 by Geoffrey Rayner, Richard Chamberlain...

Italian 1940s style (modern) large settee / sofa with camel back design and flaired arms upholstered in light green velvet with 2 large seat cushions and ...

Classic, rare and very elegant Danish 1930s bench or settee in the style of Kaare Klint and Frits Henningsen. The settee is unmarked as was most often the...